Writing Help - Blog Posts

If You’re Writing a Female Character, Avoid these Bad Writing Mistakes

Avoid focusing solely on how she looks, what she wears, or how attractive she is to others.

Don’t make her dependent on male characters for rescue or decision-making.

Avoid giving her unrealistic abilities without any training or explanation.

Avoid portraying her as constantly crying, screaming, or overly dramatic without depth.

Don’t make her entire character arc revolve around finding love or getting married.

Avoid creating her as the only female in a predominantly male cast just for diversity points.

Avoid having her dialogue filled with stereotypical phrases and overused expressions.

Ensure she has realistic imperfections and challenges to overcome.

12 Emotional Wounds in Fiction Storys

Betraying a Loved One. Your character made a choice, and it backfired, badly. They betrayed someone close to them, maybe on purpose, maybe by accident. Now, the guilt’s eating them alive. They might try to fix things, but can they even make up for what they did?

Guilt Over a Past Mistake. They made a mistake, one that cost someone else. Maybe it was reckless, maybe it was a dumb decision, but now it haunts them. They can’t stop thinking about it, and no matter how hard they try to make things right, the past keeps pulling them back.

Survivor’s Guilt. Imagine surviving something awful, an accident, a disaster, but someone else didn’t make it. Now your character is stuck asking, “Why me? Why am I still here?” They push people away, convinced they don’t deserve to be happy or even alive.

Feeling Powerless. Your character is trapped, maybe in an abusive home, a toxic relationship, or just in life itself. They feel stuck, with no control over their own future.

Being Wrongly Accused. They didn’t do it. But no one believes them. Your character has been falsely accused of something serious, maybe even a crime and now they’re fighting to clear their name. It’s not just about proving their innocence, though. They’re also battling the pain of being abandoned by people who were supposed to stand by them.

Public Humiliation. They’ve just been humiliated in front of everyone, maybe it’s a video gone viral, or they were betrayed by someone they trusted. Now, they can’t even look people in the eye.

Living in Someone’s Shadow. No matter what they do, it’s never enough. Someone else, a sibling, a friend, a partner, always shines brighter. They feel stuck in that person’s shadow, invisible and overlooked.

Abandoning a Dream. They had big dreams, but somewhere along the way, life got in the way, and now they’ve given up. Maybe it was because of fear or circumstances beyond their control, but the loss of that dream has left them feeling empty.

Childhood Trauma. Something happened to them when they were young, something painful that still affects them today. Whether it was abuse, neglect, or a significant loss, the trauma follows them into adulthood, shaping how they see themselves and the world.

Being an Outsider. They’ve never felt like they fit in, whether because of their background, their personality, or something else. They long for acceptance but fear they’ll never find it.

Struggling with Addiction. They’re caught in a destructive cycle, whether it’s with substances, behaviors, or even people. The shame and struggle to break free from addiction are real and raw.

Living with Chronic Illness. They’re living with a chronic illness or disability, and it’s not just the physical challenges that weigh them down, it’s the emotional toll, too. Maybe they feel isolated, or like they’re a burden to others.

If any advice post makes you feel you need to overhaul your whole wip and examine every inch for "problems"...step back and analyze the advice instead. It may not apply to you, it may be taking a small issue and making it big, or it may be entirely wrong.

How to create internal conflict in your characters

Developing internal conflict in book characters is essential to creating well-rounded and compelling characters that readers can relate to and empathize with. Here are some tips to help you create internal conflict in your book characters:

Give your characters a goal

Every character needs a goal, and their internal conflict should stem from the obstacles they face while trying to achieve that goal. When a character has a clear goal, it helps to create tension and conflict within themselves.

Create a backstory

A character's backstory can be a powerful tool in creating internal conflict. Explore their past experiences and how they have shaped the character's current beliefs and values. This can help to create internal conflict by highlighting contradictions or inconsistencies in the character's beliefs or behaviors.

Use a character's flaws

A character's flaws can create internal conflict by causing them to question their own judgment or struggle with their sense of self-worth. Consider giving your characters a flaw or two, and show how these flaws cause them to make mistakes or struggle with their decisions.

Show conflicting emotions

A character can experience conflicting emotions, such as feeling both love and hate towards another character, or wanting to do what is right but being held back by fear. By showing these conflicting emotions, you can create internal conflict within the character.

Use external events

External events can also create internal conflict in characters. For example, a character who has always believed in following the rules may be forced to break them to save someone they love. This can create an internal conflict within the character as they struggle with the consequences of their actions.

By using these techniques, you can create complex and engaging characters that readers will be invested in. Remember that internal conflict can be just as important as external conflict in creating a compelling story. And as always, our tips are just suggestions! Hope this helps you with your writing :)

Sparking Chemistry Between Characters #1

⇢ Emotional Timing ( When One Opens Up and the Other Isn’t Ready, Yet)

There’s something so devastatingly real about when characters miss each other, not physically, but emotionally. One’s finally ready to be honest, to be seen… and the other? Still hiding. Still pretending. That emotional dissonance creates a whole different kind of electricity: one rooted in vulnerability, silence, and the ache of almost.

“I trust you,” she said, voice low, eyes steady. He looked at her, and for a second, he almost said it back. But then his smile cracked, soft and sad, and he looked away like the words were burning holes in his throat.

This isn’t the moment they fall into each other’s arms. This is the moment they could have. And those moments still haunt.

Use this when:

You want slow burn that hurts a little

Your characters are stubborn, scared, or emotionally constipated (bless them)

The closeness builds from not-quite-connecting, until one of them finally breaks

⇢  Silent Support ( When They Don’t Say It, But They Show It)

Sometimes the most romantic thing a character can do is just… be there. No speeches. No dramatic gestures. Just showing up, quiet, consistent, unwavering. The kind of person who notices when your laugh sounds tired.

He didn’t say anything when he found her curled up on the kitchen floor. He just sat next to her, their shoulders barely touching, and slid his hoodie off without a word. A minute later, she was wearing it. Five minutes later, she was breathing again.

This isn’t about grand declarations. It’s about the kind of love that doesn’t demand to be acknowledged. The kind that waits. That steadies. That speaks fluent silence.

Use this when:

You want to show love without “I love you”

You’re building intimacy through actions, not words

Your characters aren’t the touchy-feely, talk-it-out types

⇢ Emotional Whiplash (When Conflict Turns Intimate Too Fast)

This is the classic “We were fighting five seconds ago and now I want to kiss you” moment. Because nothing stirs up feelings like frustration mixed with closeness. When characters clash, especially if there’s emotional history or denial involved, it creates heat. They’re already fired up. Already in each other’s space. Now throw in a little vulnerability and BAM, you’ve got magnetic chaos.

“Why do you care what I do?” she snapped, stepping closer. “Because I...” He bit the word back, jaw tight. His fists clenched at his sides. She stared, breath caught in her throat. “Because I do,” he said finally, quieter this time. “More than I should.”

Enemies to lovers. Friends to what even are we. That line-blurring, heart-pounding tension where the air is thick and the truth almost slips out, that’s where this trope lives (I Love It).

Use this when:

You want chaos, angst, and chemistry all at once

Your characters are in denial and one good argument away from kissing

You want something to break open and then immediately regret it

Surnames are just as important as given names. So, I compiled a list of the websites I use to find my surnames.

English Surnames

Dutch Surnames

Spanish Surnames

Scottish Surnames

German Surnames

Italian Surnames

Irish Surnames

French Surnames

Scandinavian Surnames

Welsh Surnames

Jewish Surnames

Surnames By Ethnicity

Most Common Surnames in the USA

Most Common Surnames in Great Britan

Most Common Surnames in Asia

fellas im about to join a writing competition for my school, but currently have no ideas. Suggestions?

the theme is Stories for Strange Times

Body Language: Eyes

So I stumbled across this really useful thing which I use for writing and wanted to share it with you all.

(source: changingminds.org)

The eyes are often called, with some justification, ‘the windows of the soul’ as they can send many different non-verbal signals. For reading body language this is quite useful as looking at people’s eyes are a normal part of communication (whilst gazing at other parts of the body can be seen as rather rude). When a person wears dark glasses, especially indoors, this prevents others from reading their eye signals. It is consequently rather disconcerting, which is why ‘gangsters’ and those seeking to appear powerful sometimes wear them.

Looking Up

When a person looks upwards they are often thinking. In particular they are probably making pictures in their head and thus may well be an indicator of a visual thinker.

When they are delivering a speech or presentation, looking up may be their recalling their prepared words.

Looking upwards and to the left can indicate recalling a memory. Looking upwards and the right can indicate imaginative construction of a picture (which can hence betray a liar). Be careful with this: sometimes the directions are reversed — if in doubt, test the person by asking them to recall known facts or imagine something.

Looking up may also be a signal of boredom as the person examines the surroundings in search of something more interesting.

Head lowered and eyes looking back up at the other person is a coy and suggestive action as it combines the head down of submission with eye contact of attraction. It can also be judgemental, especially when combined with a frown.

Looking Down

Looking at a person can be an act of power and domination. Looking down involves not looking at the other person, which hence may be a sign of submission (‘I am not a threat, really; please do not hurt me. You are so glorious I would be dazzled if I looked at you.’)

Looking down can thus be a signal of submission. It can also indicate that the person is feeling guilty.

A notable way that a lower person looks down at a higher person is by tilting their head back. Even taller people may do this.

Looking down and to the left can indicate that they are talking to themselves (look for slight movement of the lips). Looking down and to the right can indicate that they are attending to internal emotions.

In many cultures where eye contact is a rude or dominant signal, people will look down when talking with others in order to show respect.

Looking Sideways

Much of our field of vision is in the horizontal plane, so when a person looks sideways, they are either looking away from what is in front of them or looking towards something that has taken their interest.

A quick glance sideways can just be checking the source of a distraction to assess for threat or interest. It can also be done to show irritation (‘I didn’t appreciate that comment!’).

Looking to the left can indicate a person recalling a sound. Looking to the right can indicate that they are imagining the sound. As with visual and other movements, this can be reversed and may need checking against known truth and fabrication.

Lateral movement

Eyes moving from side-to-side can indicate shiftiness and lying, as if the person is looking for an escape route in case they are found out.

Lateral movement can also happen when the person is being conspiratorial, as if they are checking that nobody else is listening.

Eyes may also move back and forth sideways (and sometimes up and down) when the person is visualizing a big picture and is literally looking it over.

Gazing

Looking at something shows an interest in it, whether it is a painting, a table or a person. When you look at something, then others who look at your eyes will feel compelled to follow your gaze to see what you are looking at. This is a remarkable skill as we are able to follow a gaze very accurately.

When looking at a person normally, the gaze is usually at eye level or above (see eye contact, below). The gaze can also be a defocused looking at the general person.

Looking at a person’s mouth can indicate that you would like to kiss them. Looking at sexual regions indicates a desire to have sexual relations with them.

Looking up and down at a whole person is usually sizing them up, either as a potential threat or as a sexual partner (notice where the gaze lingers). This can be quite insulting and hence indicate a position of presumed dominance, as the person effectively says ‘I am more powerful than you, your feelings are unimportant to me and you will submit to my gaze’.

Looking at their forehead or not at them indicates disinterest. This may also be shown by defocused eyes where the person is ‘inside their head’ thinking about other things.

The power gaze is a short but intense gaze that is used to impose one’s will on another, showing power without aggression.

It is difficult to conceal a gaze as we are particularly adept at identifying exactly where other people are looking. This is one reason why we have larger eye whites than animals, as it aids complex communication.

People who are lying may look away more often as they feel guilty when looking at others. However, when they know this, they may over-compensate by looking at you for longer than usual. This also helps them watch your body language for signs of detection.

The acceptable duration of a gaze varies with culture and sometimes even a slight glance is unacceptable, such as between genders or by a lower status person.

Non-visual gaze patterns (NVGPs) involve rapid movements (saccades) and fixations while we are ‘inside our heads’, thinking. Rapid movements happen more when we are accessing long-term memory and fixations more when we are accessing working memory. This is useful to detect whether people are thinking about older events or recent events (or old events that are already brought to working memory).

Glancing

Glancing at something can betray a desire for that thing, for example glancing at the door can indicate a desire to leave.

Glancing at a person can indicate a desire to talk with them. It can also indicate a concern for that person’s feeling when something is said that might upset them.

Glancing may indicate a desire to gaze at something or someone where it is forbidden to look for a prolonged period.

Glancing sideways at a person with raised eyebrows can be a sign of attraction. Without the raised eyebrow it is more likely to be disapproval.

Eye Contact

Eye contact between two people is a powerful act of communication and may show interest, affection or dominance.

Doe Eyes

A softening of the eyes, with relaxing of muscles around the eye and a slight defocusing as the person tries to take in the whole person is sometimes called doe eyes, as it often indicates sexual desire, particularly if the gaze is prolonged and the pupils are dilated (see below). The eyes may also appear shiny.

Making Eye Contact

Looking at a person acknowledges them and shows that you are interested in them, particularly if you look in their eyes.

Looking at a person’s eyes also lets you know where they are looking. We are amazingly good at detecting what they are looking at and can detect even a brief glance at parts of our body, for example.

If a person says something when you are looking away and then you make eye contact, then this indicates they have grabbed your attention.

Breaking eye contact

Prolonged eye contact can be threatening, so in conversation we frequently look away and back again.

Breaking eye contact can indicate that something that has just been said that makes the person not want to sustain eye contact, for example that they are insulted, they have been found out, they feel threatened, etc. This can also happen when the person thinks something that causes the same internal discomfort. Of course, a break in eye contact can also be caused by something as simple as dried out contacts or any new stimulus in one’s immediate area, so it’s important to watch for other signals.

Looking at a person, breaking eye contact and then looking immediately back at them is a classic flirting action, particularly with the head held coyly low in suggested submission.

Long eye contact

Eye contact longer than normal can have several different meanings.

Eye contact often increases significantly when we are listening, and especially when we are paying close attention to what the other person is saying. Less eye contact is used when talking, particularly by people who are visual thinkers as they stare into the distance or upwards as they ‘see’ what they are talking about.

We also look more at people we like and like people who look at us more. When done with doe eyes and smiles, it is a sign of attraction. Lovers will stare into each others eyes for a long period. Attraction is also indicated by looking back and forth between the two eyes, as if we are desperately trying to determine if they are interested in us too.

An attraction signal that is more commonly used by women is to hold the other person’s gaze for about three seconds, Then look down for a second or two and then look back up again (to see if they have taken the bait). If the other person is still looking at them, they are rewarded with a coy smile or a slight widening of the eyes (‘Yes, this message is for you!’).

When done without blinking, contracted pupils and an immobile face, this can indicate domination, aggression and use of power. In such circumstances a staring competition can ensue, with the first person to look away admitting defeat.

Prolonged eye contact can be disconcerting. A trick to reduce stress from this is to look at the bridge of their nose. They will think you are still looking in their eyes.

Sometimes liars, knowing that low eye contact is a sign of lying, will over-compensate and look at you for a longer than usual period. Often this is done without blinking as they force themselves into this act. They may smile with the mouth, but not with the eyes as this is more difficult.

Limited eye contact

When a person makes very little eye contact, they may be feeling insecure. They may also be lying and not want to be detected.

In persuasion

Eye contact is very important for persuasion. If you look at the other person and they do not look back at you, then their attention is likely elsewhere. Even if they hear you, the lack of eye contact reduces the personal connection.

If you want to persuade or change minds, then the first step is to gain eye contact and then sustain it with regular reconnection.

Staring

Staring is generally done with eyes wider than usual, prolonged attention to something and with reduced blinking. It generally indicates particular interest in something or someone.

Staring at a person can indicate shock and disbelief, particularly after hearing unexpected news.

When the eyes are defocused, the person’s attention may be inside their head and what they are staring at may be of no significance. (Without care, this can become quite embarrassing for them).

Prolonged eye contact can be aggressive, affectionate or deceptive and is discussed further above. Staring at another’s eyes is usually more associated with aggressive action.

A short stare, with eyes wide open and then back to normal indicates surprise. The correction back to normal implies that the person would like to stare more, but knows it is impolite (this may be accompanied with some apologetic text).

When a person stares at another, then the second person may be embarrassed and look away. If they decide to stare back, then the people ‘lock eyes’ and this may become a competition with the loser being the person who looks away first.

The length of an acceptable stare varies across cultures, as does who is allowed to stare, and at what. Babies and young children stare more, until they have learned the cultural rules.

Following

The eyes will naturally follow movement of any kind. If the person is looking at something of interest then they will naturally keep looking at this. They also follow neutral or feared things in case the movement turns into a threat.

This is used when sales people move something like a pen or finger up and down, guiding where the customer looks, including to eye contact and to parts of the product being sold.

Squinting

Narrowing of a person’s eyes can indicate evaluation, perhaps considering that something told to them is not true (or at least not fully so).

Squinting can also indicate uncertainty (‘I cannot quite see what is meant here.’)

Narrowing eyes has a similar effect to constricted pupils in creating a greater depth of field so you can see more detail. This is used by animals when determining distance to their prey and can have a similar aggressive purpose.

Squinting can be used by liars who do not want the other person to detect their deception.

When a person thinks about something and does not want to look at the internal image, they may involuntarily squint.

Squinting can also happen when lights or the sun are bright.

Lowering of eyelids is not really a squint but can have a similar meaning. It can also indicate tiredness.

Lowering eyelids whilst still looking at the other person can be a part of a romantic and suggestive cluster, and may be accompanied with tossing back the head and slightly puckering the lips in a kiss.

Blinking

Blinking is a neat natural process whereby the eyelids wipe the eyes clean, much as a windscreen wiper on a car.

Blink rate tends to increase when people are thinking more or are feeling stressed. This can be an indication of lying as the liar has to keep thinking about what they are saying. Realizing this, they may also force their eyes open and appear to stare.

Blinking can also indicate rapport, and people who are connected may blink at the same rate. Someone who is listening carefully to you is more likely to blink when you pause (keeping eyes open to watch everything you say).

Beyond natural random blinking, a single blink can signal surprise that the person does not quite believe what they see (‘I’ll wipe my eyes clean to better see’).

Rapid blinking blocks vision and can be an arrogant signal, saying ‘I am so important, I do not need to see you’.

Rapid blinking also flutters the eyelashes and can be a coy romantic invitation.

Reduced blinking increases the power of a stare, whether it is romantic or dominant in purpose.

Winking

Closing one eye in a wink is a deliberate gesture that often suggests conspiratorial (‘You and I both understand, though others do not’).

Winking can also be a slightly suggestive greeting and is reminiscent of a small wave of the hand (‘Hello there, gorgeous!’).

Closing

Closing the eyes shuts out the world. This can mean ‘I do not want to see what is in front of me, it is so terrible’.

Sometimes when people are talking they close their eyes. This is an equivalent to turning away so eye contact can be avoided and any implied request for the other person to speak is effectively ignored.

Visual thinkers may also close their eyes, sometimes when talking, so they can better see the internal images without external distraction.

Damp

The tear ducts provide moisture to the eyes, both for washing them and for tears.

Damp eyes can be suppressed weeping, indicating anxiety, fear or sadness. It can also indicate that the person has been crying recently.

Dampness can also occur when the person is tired (this may be accompanied by redness of the eyes.

Tears

Actual tears that roll down the cheeks are often a symptom of extreme fear or sadness, although paradoxically you can also weep tears of joy.

Weeping can be silent, with little expression other than the tears (indicating a certain amount of control). It also typically involves screwing up of the face and, when emotions are extreme, can be accompanied by uncontrollable, convulsive sobs.

Men in many culture are not expected to cry and learn to suppress this response, not even being able to cry when alone. Even if their eyes feel damp they may turn away.

Tears and sadness may be transformed into anger, which may be direct at whoever is available.

Pupil Size

A subtle signal that is sometimes detected only subconsciously and is seldom realized by the sender is where the pupil gets larger (dilates) or contracts.

Sexual desire is a common cause of pupil dilation, and is sometimes called ‘doe eyes’ or ‘bedroom eyes’ (magazine pictures sometimes have deliberately doctored eyes to make a model look more attractive). When another person’s eyes dilate we may be attracted further to them and our eyes dilate in return. Likewise, when their pupils are small, ours may well contract also.

A fundamental cause of eye dilation is cognitive effort. When we are thinking more, our eyes dilate. This helps explain ‘doe eyes’ as when we like others people, looking at them leads to significant thinking about how we may gain and sustain their attention.

Pupils dilate also when it is darker to let in more light. Perhaps this is why clubs, bars, restaurants and other romantic venues are so dingy.

People with dark irises (the colored circle around the pupil) can look attractive because it is difficult to distinguish the iris from the pupil, with the effect is that their dark pupils look larger than they are. People with light irises make the pupils easier to see, so when their pupils actually do dilate then the signal is clearer to detect, making them more attractive ‘at the right time’.

The reverse of this is that pupils contract when we do not like the other person, perhaps in an echo of squint-like narrowing of the eyes. People with small pupils can hence appear threatening or just unpleasant.

Rubbing

When a person is feeling uncomfortable, the eyes may water a little. To cover this and try to restore an appropriate dryness, they person may rub their eye and maybe even feign tiredness or having something in the eye. This also gives the opportunity to turn the head away.

The rubbing may be with one finger, with a finger and thumb (for two eyes) or with both hands. The more the coverage, the more the person is trying to hide behind the hands.

WHY YOU SHOULD WRITE HORRIBLY:

1. You’ll never write anything if you don’t

Helpful Links I Actually Use

All for Creativity — Free & No Sign Ups!

✧

Art

Artbreeder (digitally create what your character looks like)

Unsplash (freely-usable images for book covers, blog posts, social media graphics, or anything else you may need)

Descriptions

Descriptionari (enter prompt and receive creative descriptions)

Diversity

DiversityStyleGuide (ensure you refer to communities with accuracy and respect)

Editing

Cliche Finder (copy and paste your excerpt to find cliches and examine word choice)

Map Maker

Inkarnate (create your fantasy world map)

Names

Behind the Name (the etymology and history of names)

Family Education (browse surnames alphabetically)

Fantasy Name Generator (lists of names for characters, locations, descriptions, etc.)

Reedsy (generate character names by language, mythology, fantasy, archetype, etc.)

Reedsy (generate pen name)

Reedsy (generate title name by genre)

Prompt Generator

Canlit Premise Generator (generate random prompts)

Language is a Virus (generate random writing prompts)

Plot Generator (gain inspiration by inputing your own themes or generate a completely random plot idea)

Reedsy (generate plot based on genre)

Squibler - The Most Dangerous Random Prompt Generator (gives you prompt and a timer — don’t stop writing, or all progress will be lost)

Quotes

BrainyQuote (gain inspiration by searching quotes)

Research

Hiveword (search engine for writing articles and tips)

Vocabulary

FreeRice (expand your vocabulary and help end world hunger with a game — every question answered correctly is ten grains of rice donated to the World Hunger Programme)

Reverse Dictionary (find word by searching definition)

I needed this so badly. Thank you sm

— aesthetic words to fill up your vocabulary ♡

✦ if you're tired of using the same repetitive words to describe feelings or actions on your writing, here are some aesthetic words that are not frequently used to help you evolve your vocabulary better and also maybe help you with creative titles <3

ABENDROT: the color of the sky while the sun is setting.

ABIENCE: the strong urge to avoid someone or something.

ACHROOUS: colourless.

AEQUOREAL: marine, oceanic.

AESTHETE: someone with deep sensitivity to the beauty of art or nature.

ALIFEROUS: having wings.

AMITY: warmth and heartfelt friendliness in a friendship; mutual understanding and a peaceful relationship.

AMORIST: someone who is in love; someone who writes about love.

AMBROSIAL: fragrant, delicious.

ANTHOMANIA: great love for flowers.

AQUAPHILE: someone who is an enthusiast of all things related to the water.

ARENOCOLOUS: living or burrowing in sand.

ASPERSE: change falsely or with malicious intent; attack the good name and reputation of someone.

ASTERISM: agroup of stars; a constellation; a cluster of stars.

ATTAR: essential oil or perfume obtained from flowers.

AUREATE: golden or gilded; brilliant, splendid.

AURICOMUS: with golden or yellow colored foliage.

AVIOTHIC: the strong desire to be up in the air or to fly.

BALTER: to dance artlessly, without particular grace and/or skill but usually with enjoyment.

BATHIC: pertaining to depths, especially of sea.

BELAMOUR: the one who is loved; a beloved person.

BELLICOSTIC: aggressive, belligerent, warlike.

BENEFICENCE: the quality of being kind or helpful or generous.

BERCEUSE: a quiet song intended to lull a child to sleep.

BLÁFAR: indicating the freshness and beauties of youth or health; attractive and possessing charm.

BRONTIDE: the low rumble of a distant thunder.

BURBLE: to speak in an excited manner.

CAELITIS: the divinities who dwell within the celestial planes.

CATHARSIS: the release of emotional tension, especially through kinds of art or music.

CELERITOUS: swift, speedy, fast.

CERAUNOPHILIA: loving thunder and lightning and finding them intensely beautiful.

CHEVELURE: the nebulous tail of a comet.

CINGULOMANIA: a strong desire to hold a person in your arms.

COCCINEOUS: bright red; scarlet.

COCKAIGNE: an imaginary land of luxury and idleness.

CONSTELLATE: to eluster; to compel by stellar influence.

COSMOGYRAL: whirling around the universe.

CORDOLIUM: heartache; heartfelt sorrow.

CORUSCATE: to reflect brillantly, to sparkle.

CRAMOISY: of a crimson color.

CREATURELY: a person who is controlled by others and is used to perform unpleasant or dishonest tasks for someone else.

CRYSTALLOMANIA: an obsession with crystals and other crystalline objects.

CHRYSALISM: the amnotic tranquility of being indoors during a thunderstorm.

CLINQUANT: glittering with gold and silver.

CLYSMIC: cleaning, washing.

CUPIDITY: greed for money or possessions.

CYANEOUS: a sky-blue color.

CYNOSURE: guiding star; a object of common interest.

DARKLING: of or related to darkness.

DÉCLASSÉ: having fallen in social status.

DEIFORM: god-like or divine in nature.

DEMERSAL: that lives near the bottom or a body of water.

DESIDERIUM: an ardent longing, as for something lost.

DISPITEOUS: cruel and without mercy.

DOUX: sweet, soft, mild, gentle.

DRACONTINE: belonging to a dragon.

DYSANIA: the state of finding it hard to get out of bed in the morning.

ECCEDENTESIAST: someone who fakes a smile.

EFFLORESCENCE: a period or state of blooming, blossoming.

ELEGY: a poem of serious reflection, typically a lament for the dead.

ELEUTHEROPHILIST: someone who advocates free love.

ELYSIAN: beautiful or creative, divinely inspired; peaceful and perfect.

EMACITY: desire or fondness for buying things.

EMPYREAL: pertaining to the sky; celestial.

EPHIALTES: a nightmare; the demon Incubus that supposedly causes a nightmare.

EPICARICACY: the joy that results from others misfortune.

EREMOPHOBIA: the deep fear of stillness, solitude, or deserted places.

ETHEREAL: extremely delicate, light, not of this world.

EUMOIRIETY: happiness due to state of innocence and purity.

FLORENTIS: abounding in flowers; being in bloom and adorned with plentiful flowers.

FREICEADAN: guard, garrison, watch, sentinal.

FULMINATE: cause to explode violently and with loud noise.

FURCIFEROUS: brat; rascally, scandalous.

GLOAMING: twilight, dusk.

GRAME: anger, wrath, scorn; sorrow, grief, misery.

HALCYON: calm and peaceful; happy, prosperous.

HELLION: a rowdy or mischievous person.

HELIOPHILIA: desire to stay in the sun; love of sunlight.

HEAVENIZE: to render like heaven or fit for heaven, to purify and make a holy place or a person.

HENOTIC: promoting harmony or peace.

HIRAETH: a homesickness for a home you can't return to, or that never was.

HOLILY: belonging to or derived from or associated with a divine power.

HYPNAGOGIC: the state immediately before falling asleep.

IGNICOLIST: a worshiper of fire.

ILLECEBROUS: attractive and alluring.

IMPLUVIOUS: soaked with rain.

INCANDESCENCE: light produced by high temperatures.

INCALESCENCE: the property of being warming.

INCENDIARY: designed for the purpose of causing a fire, likely to cause anger or violence.

INEFFABLE: too great or extreme to be expressed or described in words.

INSOUCIANT: free from worry, concern or anxiety.

IRENIC: aiming or aimed at peace, promoting peace.

IRIDESCENT: producing a display of rainbow-like colors.

INVIDIARE: to envy.

ISOLOPHILIA: a strong preference and affection for solitude.

KALOPSIA: the delusion of things being more beautiful than they really are.

KALON: beauty that is more than skin deep.

LACONIC: expressing much in a few words.

LACUNA: a blank space; a missing part.

LATIBULE: a hiding place, a place of safety and comfort.

LAMBENT: to glow or flicker softly. Luminous, light or brilliant.

LIMERENCE: the state of being infatuated with another person.

LONGANIMITY: still suffering while planning revenge.

LOUCHE: disreputable; morally dubious.

LUCELENCE: the state of being fine and beautiful; shining, brilliant.

LUCIFORM: resembling light in appearance; having, in some respects; the nature of qualities of light.

LUMINESCENCE: light produced by chemical, electrical or physiological means.

MALTALENT: the negative emotions of wanting injury or harm to befall someone; a hostile behavior or attitude towards someone considered an enemy.

MARMORIS: the shining surface of the ocean.

MAZARINE: a dark blue color; rich blue or reddish-blue color.

MELIORISM: the belief that the world gets better; the belief that humans can improve the world.

MÉLOMANIE: an excessive and abnormal love and deep attraction to music and melody.

MERCURIAL: subject to sudden or unpredictable changes.

MESMERIC: appealing; drawing attention.

MORDACIOUS: biting or given to biting; biting or sharp in manner; caustic; capable of wounding.

MORPHEAN: of or relating to Morpheus, to dreams, or to sleep.

MOXIE: courage, nerve, determination.

NEBULOCHAOTIC: a state of being hazy and confused.

NEFARIOUS: wicked, villainous, despicable.

NEMESISM: frustration, anger or aggression directed inward, toward oneself and one's way of living.

NERITIC: pertaining to shallow coastal waters.

NOETIC: of or associated with or requiring the use of mind.

NOIRCEUR: the state of being pitch black in color; a state of lacking illumination.

NUBIVAGANT: wandering in the air, moving through the air.

NUMINOUS: spiritual or supernatural; surpassing comprehension or understanding; mysterious.

ONEIRODYNIA: restless, disturbed sleep, characterized by nightmares and sleepwalking.

OPHIOMORMOUS: snake-like.

ORPHIC: mysterious and entrancing, beyond ordinary understanding.

PAVONINE: characteristic of a peacock; resembling the tail of a peacock; as in colors; iridescent.

PETRICHOR: the scent of rain on dry earth.

POIESIS: creation; creative power or ability.

PORPHYROUS: purple; of purple hue.

PRATE: to talk excessively and pointlessly.

PROCELLOUS: tempestuous, stormy.

QUIDDITY: the essence of something.

QUIXOTIC: extravagantly chivalrous or romantic; visionary, impractical or impracticable.

RANTIPOLE: a wild, reckless young person; to be wild and reckless.

REDAMANCY: the act of loving the one who loves you; a love returned in full.

REDOLENT: having a strong distinctive fragrance; serving to bring to mind.

REMEANT: coming back, returning.

RESPLENDENT: having brilliant or glowing appearance; dazzling and impressive in appearance through being richly colorful or sumptuous.

REVERIE: a state of being pleasantly lost in one's thoughts; a daydream.

RODOMEL: juice of roses mixed with honey.

ROSEATE: rose-like; overly optimistic.

RUTILANT: glowing or glittering with red or gold light.

SANGUINEOUS: accompanied by bloodshed.

SASHAY: to strut or move about in an ostentatious or conspicuous manner.

SCIAMACHY: a battle against imaginary enemies; fighting your shadow.

SEQUACIOUS: lacking independence of originality of thought.

SERAPHIC: beautiful and pure; having a sweet nature befitting an angel or a cherub; of or relating to an angel of the first order.

SERENDIPITY: finding something good without looking for it.

SKINT: having little or no money avaliable.

SOLIVAGANT: someone who wanders or travels the world alone; a solitary adventurer.

SOMNIATE: to dream, to make sleepy.

SORTIGER: delivering prophecies of the future; having the qualities of being oracular.

STELLIFEROUS: having or abonding with stars.

STELLIFY: to transform from an earthly body into a celestial body; to place in the sky as such.

SUCCIDUOUS: ready to fall, falling.

SPUME: a white mass of bubbles or froth on the top of a wave.

SYNODIC: relating to or involving the conjunction of stars, planets or other celestial objects.

TARANTISM: the uncontrollable urge to dance.

TEMENOS: a sacred circle where no one can be oneself without fear.

THANATOPHOBIA: fear of death.

TYYNEYS: the state of peacefulness; absent of worry or fear, being composed and at ease.

ULTRAMARINE: beyond the sea; greenish-blue color.

VELLEITY: a wish or inclination not strong enough to lead to action.

VENERATION: a profound emotion inspired by a deity.

VESPERTINE: in or of the evening; setting at the same time as, or just after, the sun.

VERDANT: with plants and flowers in abundance.

VERMEIL: a liquid composition applied to a gilded surface to give luster to the gold.

VERTICORDIOUS: to turn the heart from evil.

VIOLESCENT: tending toward violet color.

VORFREUDE: the joyful anticipation that comes from imagining future pleasures.

WANDERLUST: a strong desire to travel and explore the world.

WHIST: to hush or silence; to still, to become still.

cerezzzita©, 2022 · all rights reserved

PSA for all my fanfic writers- CONSIDER USING NOTION AS AN ORGANIZATION SYSTEM FOR WRITING!!

it only just occurred to me that i could use notion to plan out my fanfic writing and just UGH LOOK AT THE BEAUTY!!^

i can put all my fics together and keep track of pairings & how complete they are!!!

AND give them all little covers!!!!

seriously you guys need to try this it is beyond satisfying🤭

the template i used to make this is linked here 🤍 enjoy!!!

i have an idea for my current multichapter fic, but i want to run it by everyone here to check opinions!! i'm honestly not sure about it.

the next chapter of my kataang fic "the teenager in the iceberg" takes place in the jet episode in s1, and i'm writing in a lot of jealous aang moments after a lovely ao3 commenter mentioned that it was something they'd love to see:)

my fic is intended to be a fairly slow-burn fic, and its mainly from katara's perspective. i'm still writing the jet episode fully from katara's POV, and just making it kinda clear that aang is jealous through things katara notices. i feel that it'll give away the slow burn too quickly if i switch to aangs POV at all.

i had the idea to write a little one chapter offshoot where i give a bit of aang's pov in those jealous moments katara notices. it wouldn't be in the "the teenager in the iceberg" ao3 fic, it would be its own fic and i'd just make it a series and add it there. would people want that, or would it subtract from the slow burn?

let me know:) i'm open to any suggestions!!

some fucking resources for all ur writing fuckin needs

* body language masterlist

* a translator that doesn’t eat ass like google translate does

* a reverse dictionary for when ur brain freezes

* 550 words to say instead of fuckin said

* 638 character traits for when ur brain freezes again

* some more body language help

(hope this helps some ppl)

sometimes you need dialogue tags and don't want to use the same four

Writing Prompt Wednesday #6

All I could see was the outline of my mother's shadowed hunch backed figure, slowly turning towards me.

Writing Prompt Wednesday 5

A toddler keeps saying eerie and frightening things to their parents, until eventually they disappear overnight without a trace.

Writing Prompt Wednesday 4

Once a human sighs, it’s acts as a reset button. Someone bears the burden of remembering everything that happened before someone sighs, though no one else ever believed them.

Writing Prompt Wednesday 2

Every single thing the main character says is a pun.

Writing Prompt Wednesday #1

It was a rather windy afternoon, and as a father drove onto a bridge, he noticed a young teenager about to jump.

Fanfic Needs

Why is every Fanfiction nowadays the same thing:

- There’s usually never a male main character.

- They almost always have to have some horrible tragic backstory.

- They almost always have a love interest.

- They usually stick with two personalities; Badass or Innocent and Nice.

- They’re almost always children.

What I’d love in a Fanfiction is pretty simple, but impossible to find:

- A main character who was a completely normal person.

- Someone without godlike abilities, but with enough common sense to know that they can’t take on someone 5x their strength and get kidnapped, sent to the hospital, etc.

- An independent girl/boy, who doesn’t need a love interest to be happy.

- An adult with an actual job.

- There are at least one or two chapters before the character meets the heroes.

I know, that’s a bit much to ask for, but I’ve come across so many Fanfics that are basically copies of each other. I’ve finally come across a Hunter X Hunter fanfic that I’m in love with. A main character named Jerry (Who later goes by the alias Lockhardt) who yes, does have an overdramatic backstory. But that doesn’t change the fact that the whole story itself is something I’d never dream imaginable!

The main character is an 12 year old boy, who escapes from a mental institute on his birthday after it was destroyed. He immediately heads to go murder his parents, due to them sending him there for five years, due to him having Schizophrenia.

It’s completely different. Yes, it contradicts a few things stated earlier, but that’s okay. What I’m trying to get at is, my main point is;

BE ORIGINAL FOR GODS SAKE!!!

[Update]

Your OC can be as over powered as you want, as long as it’s original, and never seen before.

If you read other fanfics, you’ll have a basic idea of what not to do, and try to stray away from what anyone else would do. Write something you think no one else would do. The crazier the better.

I’m currently writing a Hunter X Hunter fanfic that does contradict a few previous statements, but eh, I’ve never seen anything like it;

- She’s 25.

- She’s a Jester for a Prince, and is taking the three step trial to becoming an executioner.

- She’s Hisoka’s sister, but attempted to burn their bridges unsuccessfully.

- Theres a murderer loose in the castle and the King calls in a group of hunters to help, due to them being more skilled than half of his army.

- After going out for an awkward Lunch with Killua and Gon, she’s confronted by Illumi, who threatens her thinking Killua was trying to make another friend, which wasn’t the case because they were only talking about the job.

That’s all I have so far, but it’s so different, and something you wouldn’t normally see. She’s not even a Hunter!

Always keep that in mind! Your character doesn’t ever have to be a pirate, ninja, or Hunter, they can always have a different occupation.

🌠 Different questions to think about (quarantine's edition) 💫

You can try answering 2-3 questions per day, for example when you may feel bored, sad or negative :)

🌻🦋

1. How are you feeling right now in 3 words?

2. What was the most interesting thing you did yesterday?

3. Do you have a pet? If not, what pet would you like to adopt?

4. If you were a kind of music (pop, rock etc.), what would you be?

5. If you could levitate, how high would you want to be?

6. What is something on you that you find annoying and that you would try to work on?

7. Milk and honey or chocolate and syrup?

8. What superpower would you like to have? (You can choose any power)

9. What advice would you give to your younger self and what advice would your younger self give to you?

10. What is your favourite scent and flavour?

11. What color you would never paint your house? Why?

12. What is your favourite book? Why? If you're not into books, take a book from your space, open a random page and read the first sentence that you see. What are your thoughts on what you just read?

13. Why do we tend to say that dogs are loyal and cats are more independent? Does this mean that cats can't be good pets?

14. Have you ever tried a weird food? What did it taste like?

15. What is the craziest thing that you can imagine right now?

16. Can you associate black color to something happy (that happened to you)?

17. What is a problem that COVID-19 will bring to you and the world? How can you/we get through it?

18. Do you have a crush on someone? Or maybe, you are in love? What is one thing you like on that person? (It can be anything)

19. What is your favourite zodiac sign based on your experience? Why?

20. What is one good thing that COVID-19 will bring to you and the world? What are your thoughts on this?

21. If a fish and a bird met, what would one say to the other?

22. What was the last dream you had?

23. What is the best advice someone gave you lately?

24. What are 4 things you feel grateful for? Why?

25. What do you like to do when nobody's watching?

26. If things were different and you had enough courage and money, what would you like to do to be happier?

27. What is one thing on you that you're proud of? Can you think of another one?

28. If you were a butterfly, would you be one of the orange ones, the blue ones, or the little white ones?

29. Are you feeling anxious right now? Can you think of the reason why? Can you draw it, write it or record singing/talking about it? Can you make the anxious thought look like a funny one?

30. In how many years will you turn 30 years old? What are your emotions about it? What are the things you'd like to do before 30? If you're 30 or above, did you experience any spiritual change during that time?

31. Do you eat meat? Why? Have you ever searched about how meat consumption and environment are connected? How do you feel about the environment in general? If you could have a conversation with planet Earth, what would you talk about? Do you have a favorite continent?

32. Is there any way to know everything? Why do so many people want to have knowledge about anything?

33. Do you prefer knowing a little something from many subjects, or to know almost everything about one subject?

34. Caramels, biscuits or soft candies?

35. Who is your favorite celebrity? Why?

36. If you could be anywhere in the world right now where would it be? Describe that place. What feelings does it give to you?

37. Mountains, sea, or plain?

38. What is one thing that you and your mom/dad/sibling/family member/friend have in common?

39. In your fantasy, how can you connect a boat and a candle? A rose and rain? Dust and light? Stress and happiness? Cereal and a laugh? Sweat and pleasure? Waves and winter?

40. What is your sexual orientation? What is something you like on the female body? What is something you like on the masculine body? What is something in a body that you consider as gender-neutral?

41. Are there really genders in colors and body language?

42. Do you like the taste of lemon?

43. What color(s) is freedom? How would you draw it? Does it have a sound, a sensation, a taste or a smell?

45. Who are the first people that come in your mind when you hear of the words: love, lust, intimacy? What is your relationship with them?

46. What is your favorite holiday? Why?

47. When you're moody, what songs do you listen to? Open a window or go to your balcony/yard if you have one. What can you hear? Now record with your phone. What sounds does it catch that you didn't? Why did that happen?

48. How do clouds taste in the daylight and how in a rainy day?

49. What is one random but interesting thing you learned today?

50. What is your spirit animal? Your totem? Your spirit guide? Animals that visit you in your dreams? Your familiar? Your patronus?

51. Do you have grandparents? How are they? If you don't, do you remember where you come from? Who were you as a little child?

52. What is the importance of money to you?

53. What is your favorite season? What season were you born in?

54. Have you ever experienced feeling "void"? How can you describe the void? Is there any way this void can make you feel fulfillment?

55. We are all different, but what is it that sets you apart?

56. You're in the middle of a cross rode. Left, there is a dark forest. Right, there is a scary, foggy hill. Why are you there? Where do you go? Which way are you about to select? Why?

57. Wood or ground? Space or time? Wind or thunder? Above or below? Kiss or hug? Forever or sometimes? Walking at the beach on sunset, or looking at the stars on a rooftop? Dress or skirt? Touch or look? Warm or cold? Swim or run?

58. What is the greatest power in this world? In this universe? Why do you believe that?

59. If your life was a movie, which actress/actor would play you? Who would be your lover? What is the story?

60. Do you ever talk to the sun, the moon and the stars? What do you talk about? How do they answer your questions? Do you feel more connected to one of them? Why? Is there any planet you like more? Or any earthly phenomenon that attracts you?

61. Photograph or video? Poetry or singing? Dream or dance? Laugh or smile? Tiger or lion? Lyrics or music? Talk or listen? Cuddling for hours or deep conversations? Paris or Rome? Glitter or shine?

62. Are you religious? If yes, how do you feel when you think about your religion? If not, what are some other things/beings you believe in? (They don't have to be divine)

63. What is your clothes style? Do you follow fashion? What is fashion to you?

64. What are some pros and cons of media such as instagram, facebook, tumblr, twitter, etc.?

65. What is your favorite flower? From whom would you desire to receive one right now?

66. Do you believe in luck? Do you consider yourself as lucky? If not, why? If you don't believe in luck, do you think that optimism can bring "luck"?

67. What can you smell right now? (It can be many things)

68. What is one thing that you used to believe as a child, that now you don't?

69. Why would someone hang colored glass bottles from a tree?

70. Do you ever think of how things would be different just because of the slightest change in a past event? Do you ever wander what would've happen if you'd choose a different option?

71. What do you think of the number 8?

72. How many people do you have in your heart this period of your life? How many are there since forever?

73. Do you believe in past lives? Who would you be in your past life? Is there anything you're intuition is telling you?

74. Do you follow your instincts? If yes, how strong are they? What happens when you don't?

75. Could you describe your life (until this very moment) in 5 songs?

76. Forgiveness. Now, can you write down 6 random words that popped up in your head? Do they have anything in common? Do you forgive easily?

77. What is one thing that people will never fully understand about you?

78. Do you have secrets? Why? Do you want to write one down?

79. Can you imagine an aesthetic picture of a place like a room or scenery? What do you see? How do you feel?

80. What are you jealous about? What are some things you have/are that people would want to have/be too?

81. What is one kind thing you said or did today?

82. Are you an extrovert, an introvert or an ambivert? Do you have more energy when you're alone or when you're with others?

83. What is your favorite food? Do you believe in magic? Is there any way that cooking and magic are connected?

84. Do you like mythologies? What is one myth you find interesting?

85. Are you sleepy? Are you a morning or a night person?

86. What is your greatest career dream? (It doesn't have to be logical or realistic)

87. TV or radio? Classical music or opera? Train or ferryboat? Movies or series? Logic or emotion? Sharp or slick? Wide or deep? Heal or be healed? Hope or trust? Know or think? When or how? Who or why? Sweet or salt?

88. Are you easily cold? How does snow taste like? Can you imagine a place were everything is made out of food and sweets?

89. What is one thing you'd like to start doing more?

90. Are there good and bad lies? Are we just what we say or what we do or what we are scared of? What if we are what we love?

91. If you were a deity from any mythology, what deity would you be?

92. Do you know tarot? Is there any card that you feel more drawn to? Do you have a favorite spread or a favorite deck?

93. What is art to you?

94. What is love you? (Any type of love)

95. If you were a fairy or a nymph, in which element would you have power on? (Remember, this is all free of gender, anyone can answer)

96. What are your thoughts on genders, feminism and equality? What common ground is there between older and modern generations of people?

97. Have you ever tried writing a song? The music, or the lyrics, or both? What was it about?

98. Can you write down 10 positive and 10 negative things about you? Can you accept and embrace them all? Are there any negatives that are dysfunctional for you? Can you work on them? If not, why?

99. Imagine you are in front of a waterfall. Can you describe the place? The waterfall is trying to tell you something. What is it?

100. To start or to end? Circle or triangle? Launch or dinner? Romantic or edgy? Transformation or rebirth? European dragon or Asian dragon? Tokyo or London? Ancient Greece or ancient Rome? Grapes or cherries? Tears of happiness or a great laugh? Picnic in the forest or a car ride in the countryside?

To be continued... 💐🍒

Hey guys! As a writer myself, it’s hard to have a lot of resources for writing in one place. That’s why I decided to create this masterpost, and maybe make more if I find future resources. I hope you like it, and expect to see more masterposts like this in the future!

Generators

Character

Appearance Generator

Archetypes Generator

Character Generator

Character Traits Generator

Family Generator

Job/Occupation Generator, (II)

Love Interest Generator

Motive Generator

Name Generator

Personality Generator, (II)

Quick Character Generator

Super Powers Generator

Names

Brand Name Generator

Medicine Title Generator

Name Generator

Quick Name Generator

Vehicle Generator

Town Name Generator

Plot

First Encounter Generator

First Line Generator, (II)

Plot Generator, (II), (III)

Plot Device Generator

Plot Twist Generator

Quick Plot Generator

Setting/World-Building

City Generator

Fantasy Race Generator

Laws Generator

Pet Generator

Setting Generator

Species Generator

Terrain Generator

Prompts

Subject Generator

”Take Three Nouns” Generator

Word Prompt Generator

Misc

Color Generator

Decision Generator

Dialogue Generator

Journey Generator

Title Generator, (II), (III)

Some Tips

Just a few I found from the writing tips tag!

Writing action / @berrybird

How to create a strong voice in your writing / @collegerefs

How to plot a complex novel in one day! / @lizard-is-writing

8 ways to get past writer’s block / @kiramartinauthor

psa for writers / @dasakuryo

”Write Using Your 5 Senses” / @ambientwriting

How People Watching Improves Your Writing / @wherethetransthingsare

Writing Science Fiction: Tips for Beginners / @fictionwritingtips

Creating Likeable Characters / @authors-haven

Vocabulary

Descriptive words / @somekindofstudent

Words to replace “Said” / @msocasey

Obscure color words / @mintsteelpeachlilac

Words to spice up your stories / @busyibee

Words to describe someone’s voice

Words to Use Instead of Very / @gaybybirth

Touchy Feely Words / @gaybybirth

Some Advice

Stephen King’s Top 20 Rules for Writers

”But my plot isn’t UNIQUE or BIG enough!” / @youreallwrite

8 Things Every Creative Should Know / @adamjk

(How To) Get Over Comparing Yourself to Other Creatives / @adamjk

How to Get Over Common Creative Fears (Maybe) / @adamjk

14 Tips From Stephen King On Writing / @i-can-give-you-prompts

Playlists

Electronic Thoughts / @eruditekid

“Mix About Writing” An Instrumental Mix / @shadowofemirates

Shut Up, I’m Writing! / @ninadropdead

Chill / @endlessreveries

Breathtaking Film Scores / @tweedskirts

Music to Write to Vol. 1: Starlight / @crestadeen

Music for Written Words / @ghoulpatch

Dead Men Tell No Tales / @scamandersnewt

Fatale / @dolcegf

All These Things that I’ve Done / @referenceforwriters

Feeling Soaking into Your Bones / @verylondon

I Can Feel Your Pulse in the Pages / @rphelper

Morally Ambiguous / @scamandersnewt

Wonderwall / @wheelerwrites

Pythia / @mazikeene

Ballet: To Dance / @tanaquil

Websites and Apps

For Writing

ZenPen: A minimalist writing website to keep you free of distractions and in the flow.

The Most Dangerous Writing App: A website where you have to keep typing or all of your writing will be lost. It helps you keep writing…kind of. You can choose between a time or word count limit!

Evernote: An online website where you can take notes and save the product to your laptop and/or smartphone!

Writer, the Internet Typewriter: It’s just you and your writing, and you can save your product on the website if you create an account.

Wordcounter: A website to help check your word and character count, and shows words you’re using frequently.

Monospace: An Android app for writing on the go when you feel the inspiration, but you don’t have your laptop on you!

For Productivity

Tide: An app that combines a pomodoro-esque timer with nature sounds and other noises! (Google Play / Apple Store)

ClearFocus: An Android app with a pomodoro-type time counter to let you concentrate easier and stay productive.

Forest: An app with a time counter to keep you focused and off your phone, and when you complete the time limit, a tree grows in your garden! (Google Play / Apple Store)

SelfControl: A Mac downloadable app that blocks you from distracting mail servers, websites, and other things!

Prompt Blogs

@writeworld

@dialouge-prompts

@oopsprompts

@prompts-for-the-otp

@creativepromptsforwriting

@the-modern-typewriter

@theprofessionalpromptmaker

@writers-are-writers

@otp-imagines-cult

@witterprompts

@havetobememes

@auideas

@putthepromptsonpaper

@promptsonpaper

@fyotpprompts

@otpisms

@soprompt

@otpprompts

@ablockforwritersblock

@awritersnook

Writing Tips Blogs

@writeworld

@anomalously-written

@awritersnook

@clevergirlhelps

@referenceforwriters

@whataboutwriting

@thewritershelpers

@nimblesnotebook

@slitheringink

With me it’s always raising an eyebrow and/or nodding. Which results in my characters looking like smug bobble heads in every conversation

me while writing: ah yes, this character should do this, it feels so natural with what they're saying

me while editing: why the FUCK does he lean on the doorway SEVENTEEN TIMES IN THIS CHAPTER

Writers, I need your opinions:

My story is like focused on two characters, and I have this scene where we switch between their perspectives. They are texting each other throughout an evening essentially, and we switch each time someone reads a text.

I don’t know if I should keep it or not. I love it, but I don’t know if it’s confusing or not. The overlapping scenes are very important for the development of both plot and story.

Also, I do have a beta reader but I lowkey have a crush on them so I’m too embarrassed to send the fic to them until I’ve done a couple rounds of self edits, and I don’t wanna get too far in just to realize it doesn’t work