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You are the air I need to breath. My body has grown dependent on you and you don’t even acknowledge my existence anymore. I’m suffocating without you. And you learned how to breathe without me.
theheartoftheplanet
I’m planning on doing NaNoWriMo in November, so expect snippets of my writing to start to appear daily
For that second time stopped. Their eyes meeting in an everlasting moment. Breathing slowed as those pairs of brown eyes met each other for that infinite moment. Love at first sight may not exist, but for that moment those two strangers felt a magic. And cruel faith must be for their paths were never to cross again.
Me, my mind, and sad thoughts
Seeing the notes I wrote for my book and it’s like
No?? I don’t understand?? What was past mae thinking??
The way when I write with no plotting is so so SO different to when I'm plotting LMAOOO.
No plotting:
Vague idea of plotting:
PLOTTING:
LMAOO I think this is why i do NOT plot at all for my WIPS
i have had this story idea in my head for almost a DECADE. i have filled notebooks with it. i have filled my notes app with it. i have worldbuilt this world so hard. so many character and stuff. and it comes to 11,000 words only?? like what on earth. i’m so sad (-,-). i want words to be flying. i’m on chapter 3?? of like part 1 and i’ve just started and it’s already SO HARD??! ugh
anyways,,
my oc :: my main character::
lemme tell you i love her she’s hilarious and she’s not even here yet. her dad?? hilarious like i can’t wait to write him he will be so funny i alr know it. she’s like mwah but she will be going THROUGH it. my baby.
is it just me that gets random ass whole SCENES just in the middle of something. like i’ll be talking to someone or walking across the road and then BAM!
i now have a whole conversation between two characters in my head. my one (1) notes app is getting ABUSED at this point.
me: talking to my friend
brain: what if : FIGHT SCENE
me: takes out my phone and my fingers are flying trying to get this down
friend: ??? what’s going on???
like bro,,, this scene::
just came out of nowhere. no idea how?? but still like wow (sorry for the blackouts but i want this to be a suprise!!!)
like writing is such a mood i once woke up in the middle of the night with a whole scene written out and just??? went back to sleep and woke up like yeah that tracks
Excerpt from my WIP Dead above.
The book so far consists of messy notes and pieces of different plot ideas that don't fit together built up over two years. Most of them are my frantic half asleep scribblings that don't make any sense lol. Now i just need to build my Frankenstein.
Screw it , I'm going to write this book.
Former gifted kid doesn’t immediately understand her homework and breaks down at her work desk (three dead, five injured)
I have been toying with the idea of writing a novel, mainly for my own enjoyment and feeling of accomplishment, but I am quite worried it'll turn out too similar to TSH ... I would like to tackle themes of obsession with image and social prestige, but I've seen many works of fiction you can tell were influenced a bit too much by Tartt's work.. if anyone has any tips to help prevent this affect, that'll be appreciated.
I sit here and put words on a paper that I otherwise do not dare to say. I don’t know who to talk to. When I mention what I think about I get told that it’s only because things are just not going my way right now. Funny. I suppose things haven’t been going my way last year either. Or the year before that. Or the year before. I don’t remember not feeling like this. These words, there the same. For years now. I’m writing them down because I’m unable to say them to anyone.
I’ve reached out for help before. Got weird looks from people when I told them that I need to talk to someone. Got told that they wouldn’t be able to help me because I just needed to get over this. Everyone feels like this once in a while.
I went there once. Got told I felt like this because I’m not taking control over my life. The situation was uncomfortable. I didn’t go a second time. They asked for feedback afterwards. What was I supposed to say? Thanks for not listening, I still don’t know how to not hate myself. How to not cry. How to make my chest stop hurting. How to stop feeling like I’m drowning.
Now the thought of talking to someone is even scarier. I don’t like to talk to people anyway. What if I take all my courage and ask for help again, only to be told it’s my own fault? I know it’s my fault. I tell myself that every day. I don’t need another person telling me the same.
Hush
Too far, too wide, too fast
Not yet
Don’t go
Don’t, won’t
Don’t, can’t
Not now
Beware
Hush now
Haven’t done, won’t do
Couldn’t do, won’t do
What can I do?
Can’t do
And can’t and can’t and can’t
I’m scared
Don’t ask
*writes two paragraphs after months of literally nothing and it took three hours*
⇢ Emotional Timing ( When One Opens Up and the Other Isn’t Ready, Yet)
There’s something so devastatingly real about when characters miss each other, not physically, but emotionally. One’s finally ready to be honest, to be seen… and the other? Still hiding. Still pretending. That emotional dissonance creates a whole different kind of electricity: one rooted in vulnerability, silence, and the ache of almost.
“I trust you,” she said, voice low, eyes steady. He looked at her, and for a second, he almost said it back. But then his smile cracked, soft and sad, and he looked away like the words were burning holes in his throat.
This isn’t the moment they fall into each other’s arms. This is the moment they could have. And those moments still haunt.
Use this when:
You want slow burn that hurts a little
Your characters are stubborn, scared, or emotionally constipated (bless them)
The closeness builds from not-quite-connecting, until one of them finally breaks
⇢ Silent Support ( When They Don’t Say It, But They Show It)
Sometimes the most romantic thing a character can do is just… be there. No speeches. No dramatic gestures. Just showing up, quiet, consistent, unwavering. The kind of person who notices when your laugh sounds tired.
He didn’t say anything when he found her curled up on the kitchen floor. He just sat next to her, their shoulders barely touching, and slid his hoodie off without a word. A minute later, she was wearing it. Five minutes later, she was breathing again.
This isn’t about grand declarations. It’s about the kind of love that doesn’t demand to be acknowledged. The kind that waits. That steadies. That speaks fluent silence.
Use this when:
You want to show love without “I love you”
You’re building intimacy through actions, not words
Your characters aren’t the touchy-feely, talk-it-out types
⇢ Emotional Whiplash (When Conflict Turns Intimate Too Fast)
This is the classic “We were fighting five seconds ago and now I want to kiss you” moment. Because nothing stirs up feelings like frustration mixed with closeness. When characters clash, especially if there’s emotional history or denial involved, it creates heat. They’re already fired up. Already in each other’s space. Now throw in a little vulnerability and BAM, you’ve got magnetic chaos.
“Why do you care what I do?” she snapped, stepping closer. “Because I...” He bit the word back, jaw tight. His fists clenched at his sides. She stared, breath caught in her throat. “Because I do,” he said finally, quieter this time. “More than I should.”
Enemies to lovers. Friends to what even are we. That line-blurring, heart-pounding tension where the air is thick and the truth almost slips out, that’s where this trope lives (I Love It).
Use this when:
You want chaos, angst, and chemistry all at once
Your characters are in denial and one good argument away from kissing
You want something to break open and then immediately regret it
it's ok to write only for yourself
it's ok to not share your writing with the world
it's ok to want validation
it's ok to write self-indulgent stories
it's ok to write only one genre
it's ok to share your writing regardless of your skill
it's ok to praise your own writing
it's ok to abandon wips
it's ok if you don't write every day
it's ok if you write fanfiction (because people who claim it isn't real writing is wrong)
it's ok to use clichés
it's ok to have a bad day of writing
it's ok to be a slow writer
it's normal to have days in which you doubt the things you write, that doesn't mean you're a bad writer
it's ok to ask for feedback
it's ok to cringe at your old writing
it's ok to hype up your writing online
it's ok to celebrate your achievements
the waves (for tomorrow) - a song
soft sounds of the rain
i feel like a child in your presence
i wish someone had told me
that all beautiful things
may come to an end
you don’t need to remind me
it’s that time of the season
i can’t get my brain to hold it down
my mother told me
you kill all you believe in
so how come i believe in you?
As the sea I swell
I used to know myself well
Before you became my mirror,
I could see myself clearer
You’ve broken my shell
round or chords
how could we have known
words betray me
our innocent drive
that purest belief
of our beautiful youth
i want to resist
these powerful ties with the passing of time
with all of my mind i try
but instead
i will bury my pain in the shower drain
i will do my best to remember
if i am to live my life full of beauty
i will, too
live a life full of grief
As the sea I swell
I used to know myself well
Now I can feel my walls breaking
please don’t mind the shaking
and swear you won’t tell
As the sea i swell
you used to know yourself well
but as we grow with the seasons
the one thing that’s not leaving
is your spell
apples
sharing apples in the sun
i picked them,
they’re from the heart
the core is soft
as i bite, in deep
the flesh hums
and writhes a little
i’ll lap your words off the floor
where they fell, revealing
my lover’s basket
thoughts spill out like the flowers
in my lover’s basket
lovely little things, both
her mouth runs laps like a panting dog
unwilling to compromise
for existing ecstatically
flowers spill from my mouth
hanging there, still
as the presence of a dead loved one
thieves of reason are my baby and me
humming prayer into
each others mouths like poison
blinking in the mirror
confused
long night
softly bruised
a French perfume
cloth on skin
a hand
bluntly sovereign
held open unarmed
intentionally…?
softly palmed
there in the wrinkled sea
… a clementine
Mother
Mother was kind on loss today
she laid me a bed of roses
they prick lightly, almost lovingly
as the bare of flesh exposes
almost, almost
lost in the folds of skin so dark
the earth here is red and bleeding
into the leftover green of dying grass
two hands intertwined while meeting
for the first time almost believing
Mother lay me down in the deep
where the walls surround and plunder
pluck away at the skin of the living
the dog smiles with a crow, a murder
in its open mouth
almost dead, almost