Writing - Blog Posts

Art sets you free, art lets you breathe. Through art you let it all out, through your art you are you. Your art should be an escapade, the process should make your heart race. It should be for you and you alone and only then it shall soothe other souls.

-anneshwa ✨

There are some things that fill me with lumps of emotions, someone touching my hand, looking deep into someone's eyes, sky changing it's colors, clusters of clouds forming weird and beautiful shapes,the setting sun, someone's giggle .

- Anneshwa✨

Your eyes ignited the unexpected wildfires that my little cottage heart wasn't ready for. Now, i burn, my home burns and your eyes burn while watching everything else flaring into ashes.

Anneshwa Paul

Sometimes i feel bad for feeling good

Your eyes play with my mind, like your fingers on a guitar strings. It creates a blooming symphony, and roots deep in my heart and grows up beyond the clouds.I thought facts don't care about feelings, But these feelings don't give a damn about the facts. My heart keeps waiting for an epiphany, it wants to be a resident of your 'not so vacant house', and wants to make it a home, a Paradise.

Anneshwa Paul

I will heal, after a semi quiet yawp, i will heal.

Anneshwa Paul

Sometimes my soul drenched in pain and agony cries, cries out loud to hear your voice.

Books make me feel like i belong.

They give my mind wings,

and hence i fly.

Warm my heart,

and let my ego melt.

Make me feel all the emotions

that I've never felt.

My partner for warm and cold nights,

helped me twinkle in the darkest times.

Never make me feel lonely,

a friend in disguise,

like the sun under the bright blue sky.

Even when melancholy pours,

so does sadness in my heart.

I keep you close,

you're a part of me.

- Anneshwa

Me : Wow, I'm finally finding my flow. I love this quote, can't believe i wrote it.

Anxiety : Well, well. It's not that great. People think you're just a pretentious writer.

Me : No they don't. I actually write my own feelings, i think they relate to my words.

Anxiety : aww you wish. They hate you, and your art. Your writeups suck and your style is bad.

Me : No it isn't. Is it? IS IT? What if you're right? And what if I'm actually a bad writer. What if people actually think I'm pretentious. Yes anxiety, i guess you're right. Thank you, let me think about it all night, and get back to you.

Casted shadows are beautiful until they're casted by your memories, or traumas. Who would dance in the shadows casted by nightmares?

Anneshwa

My art is for myself first, it's a vortex of my complex emotions. I channel my inner thoughts and feelings into it. I try not to let them dominate or paralyze me, instead use them to create something meaningful. So when you see a quote or picture by me, know that it comes from a very vulnerable place but when it goes out it makes me stronger. My art is for you and for all, but first, it's for me.

- Anneshwa

Sometimes i happen to people,

Sometimes people happen to me🌻

-Anneshwa

I hope our words heal us. I hope every letter flowing out of our mouths embraces our wounds and heals them in a way, that even the scars disappear.

the first rule of writing is that there are no rules. the second rule is to save your work every 5 minutes because technology is a fickle god.

On sensitivity readers, weakness, and staying alive.

The other day I was part of a Twitter conversation begun by a fellow-author on the subject of sensitivity readers, in which he said that no serious author would use sensitivity readers, and spoke of work being “sanitized”. The conversation devolved, as it often does on Twitter, but it got me thinking. It must have got someone else thinking too, because a journalist from the Sunday Times got in touch with me the next day, and asked me to share my ideas on the subject. Because I have no control over how my words are used in the Press, or in what context they might appear, here’s more or less what I told her.

I think a lot of people (some of them authors, most of them not) misunderstand the role of a sensitivity reader. That’s probably mostly because they’ve never used one, and are misled by the word “sensitivity”, which, in a world of toxic masculinity, is often mistaken for weakness. To these people, hiring someone to check one’s work for sensitivity purposes implies a surrendering of control, a shift in the balance of power. 

In some ways, I can empathize. Most authors feel a tremendous sense of attachment to their work. Giving it to someone else for comment is often stressful. And yet we do: we hand over our manuscripts to specialists in grammar, spelling or plot construction. We allow them to comment. We take their advice. We call these people editors and copy-editors, and they are a good and necessary part of the process of being an author. Their job is to make an author’s work as accurate and well-polished as possible.

When writing non-fiction, authors sometimes use fact-checkers at the editorial stage, to make sure that no embarrassing factual mistakes make it into print. This fact-checking is a normal part of the writing process. We owe it to our readers to be as accurate as possible. No-one wants to look as if they don’t know what they’re talking about.

That’s why now, increasingly, when writing about the lives and experiences of others, we sometimes use readers with different specialities. That’s because, however great our imagination, however well-travelled we may be and however many books we have read, there will always be gaps in our knowledge of the way other people live, or feel, or experience the world. Without the input of those with first-hand knowledge, there’s always a danger we will slip up. That’s why crime writers often consult detectives when researching their detective fiction, or someone writing a hospital drama might find it useful to talk to a surgeon, or a nurse, or to someone with the medical condition they are planning to use in their narrative. That’s why someone writing about divorce, or disability, or being adopted, or being trans, or being homeless, or being a sex worker, or being of a different ethnicity, or of a different culture – might find it useful to take the advice of someone with more experience.

There are a number of ways to do this. One of my favourites is The Human Library, which allows subscribers to talk to all kinds of people and ask them questions about their lives  (Check them out at https://humanlibrary.org/). The other possibility is to hire a specialist sensitivity reader to go through your manuscript and check it. Both can be a valuable resource, and I doubt many authors would believe that their writing is sanitized, or diluted, or diminished by using these resources.

And yet, the concept of the sensitivity readers – which is basically another version of the specialist editor and fact-checker – continues to cause outrage and panic among those who see their use as political correctness gone mad, or unacceptable wokery, or bowdlerization, or censorship. The Press hasn’t helped. Outrage sells copies, and therefore it isn’t in the interest of the national media to point out the truth behind the ire.

Let’s look at the facts.

First, it isn’t obligatory to use a sensitivity reader. It’s a choice. I’ve used several, both officially and unofficially, for many different reasons, just as I’ve always tried to speak to people with experience when writing characters with disabilities, or from different cultures or ethnic groups. I know that my publisher already sends my work to readers of different ages and from different backgrounds, and I always run my writing past my son, who often has insights that I lack.  

Sensitivity reading is a specialist editorial service. It isn’t a political group, or the woke brigade, or an attempt to overthrow the status quo. It’s simply a writing resource; a means of reaching the widest possible audience by avoiding inaccuracy, clumsiness, or the kind of stereotyping that can alienate or pull the reader out of the story.

Sensitivity readers don’t go around crossing out sections of an author’s work and writing RACIST!!! in the margin. Usually, it’s more on the lines of pointing out details the author might have missed, or failed to consider: avoiding misinformation; suggesting authentic details that only a representative of a particular group would know.

Authors can always refuse advice. That’s their prerogative. If they do, however, and once their book is published, they receive criticism or ridicule because their book was insufficiently researched, or inauthentic, or was perceived as perpetuating harmful or outdated stereotypes, then they need to face and deal with the consequences. With power comes responsibility. We can’t assume one, and ignore the other,

Being more aware of the experiences of others doesn’t mean we have to stop writing problematic characters. Sensitivity reading isn’t about policing bad behaviour in books. It’s perfectly possible to write a thoroughly unpleasant character without suggesting that you’re condoning their behaviour. Sensitivity is about being more authentic, not less.

People noticed bigotry and racism in the past, too. Some people feel that books published a hundred years ago are somehow more pure, or more free, or more representative of the author’s vision than books published now. You often hear people say things like: “If Dickens were around today, he wouldn’t get published.”

But Dickens is still published. We still get to read Oliver Twist, in spite of its anti-Semitism. And those who believe that Dickens’ anti-Semitism was accepted as normal by his contemporaries probably don’t know that not only was he criticized by his peers for his depiction of Fagin, he actually went back and changed the text, removing over 200 references, after receiving criticism by a Jewish reader. And no, it wasn’t “normal” to be anti-Semitic in those days: Wilkie Collins, whose work was as popular as Dickens’ own, managed to write a range of Jewish characters without relying on harmful and inaccurate stereotypes. 

But it isn’t automatic that a book will survive its author. Books all have shelf lives, just as we do, and Dickens’ work has survived in spite of his anti-Semitism, not because of it. The work of many others has not. Books are for readers, and if an author loses touch with their readers - either by clinging to outdated tropes, or using outdated vocabulary, or having an outdated style – then their books will cease to be published, and they will be forgotten. It happens all the time. What one generation loves and admires may be rejected by the next. And the language is always changing. Nowadays, it’s hard to read some books that were popular 100 years ago. Styles have changed, sometimes too much for the reader to tolerate.

Recently, someone on tumblr asked about my use of the word “gypsy” in Chocolat, and whether I meant to have it changed in later editions. (River-gypsies is the term I use in connection with Roux and the river people, who are portrayed in a positive light, although they are often victims of prejudice.) It was an interesting question, and I gave it a lot of thought. When I wrote the book 25 years ago, the word “gypsy” was widely used by the travelling community, and as far as I knew, wasn’t considered offensive. Nowadays, there’s a tendency to regard it as a slur. That’s why I stopped using it in my later Chocolat books. No-one told me to. It was my choice. I don’t feel as if I’ve lost any of my artistic integrity by taking into account the fact that a word has a different resonance now. On the other hand, I don’t feel that at this stage I need to go back and edit the book I wrote. That’s because Chocolat is a moment in time. It uses the language of the moment. Let it stand for as long as it can. 

But I don’t have to stay in one place. I can move on. I can change. Change is how we show the world that we are still alive. That we are still able to feel, and to  learn, and to be aware of others. That’s what “sensitive” means, after all. And it is nothing like weakness. Living, changing, learning – that’s hard. Playing dead is easy.

I love, love, LOVE it when I can tell a fic author has integrated their specialized knowledge in a fic. I was reading a fic that at some point included the character going to visit an art therapist, and it's so clear that the author is an art therapist themself, and the details included are just immaculate and I love it. I've previously read about a character doing fencing for no other reason than the author clearly wanting to write a sport they understood. A character being given a hyperfixation on bugs just so the author can infodump themselves.

I eat it up every time, it brings such a smile to my face

Just to add, AO3 has such a great tag system that I haven't seen in other websites. You can literally filter out all of the stuff that makes you uncomfortable and don't want to read. And it's so easy to use.

God knows the amount of stuff I filter out because they either make me uncomfortable or are just not my cup of tea; Be it either something potentially triggering or just a shipp I'm not into. It's fucking amazing, we can go straight for the stuff we love. From filtering out the ones we don't want to see, to going straight to our favorite ones.

Please, use the tag system, it exists for that very reason. And for the few fics the slip through the filtering for lack of proper tags? Just ignore them. Hell, you can even mute writers. So just keep swimming!

AO3 is such a precious gift made from fan to fan, so let's cherish it properly instead of using it for hate. It's like a buffet from the Gods; Take your favorite food and ignore the ones you don't like to eat. Cuz' you don't stop in the middle of a restaurant just to point at the food you don't like and, what? Fight the cooks for having cooked them??? NO!! You let them cook! AND EAT YOUR FAVORITE FOOD!! CUZ THEY HAVE THAT TOO!!

heard someone say archive of our own should install a "dislike" button and I thought I should say this: no, there's absolutely no need for archive of our own to install a "dislike" button.

why? because archive of our own isn't tiktok or youtube or twitter/x where users can monetize their content. archive of our own is a nonprofit site run by fans for fans, which means every content — every fanfic — you see on archive of our own was made out of pure love and passion from the artists/authors.

ao3 authors write because writing about these characters is their happiness and passion. they write for themselves, but they were generous enough to share with you their creations.

they're not "content creators" the way tiktokers or youtubers or instagram models are. they don't "make content" for views and engagements that can be monetized.

so no, you don't get to "grade their works" unless they specifically and directly ask you to.

you don't get to "say what you dislike about their works" unless they specifically and directly ask you to.

you don't get to "dislike" works that are not made specifically to please you in the first place. you're just a guest in someone's house, a house in which they let you in because they were kind, you don't get to roam around their house and say what you dislike about their furniture. you don't get to roam around their house and say you "dislike their house".

of course, you can have your opinion about the house its host invites you in. but if it's a negative one and you find yourself not liking the house, the polite things for you to do is excuse yourself and leave without telling them you dislike their house.

and just because you personally dislike the house doesn't mean the house is "ugly" either. the house you dislike could be a favorite, most luxurious place to many others.

my point is, don't be entitled by wanting the rights to voice your disapproval of things that you get to enjoy for free. don't be entitled by wanting the rights to voice your disapproval of things that were made out of love and passion — things the artists made for themselves for fun.

it makes you look like an entitled jerk with main character syndrome. the universe does not revolve around you.

now repeat after me: don't like don't read. no one forces you to continue reading a fic you don't like. quietly leave instead of being rude to authors who write for free because writing is their source of comfort.

people are so used to contents that were made because it's a trend / contents like tiktok that were made with the main purpose of reaching high engagement and making profits that they forget sometimes things can be made out of love and be made just for fun. sometimes things are supposed to just be for people to enjoy, and if some people don't enjoy them, then they can simply leave without being unnecessary unkind.

Important thing just popped up for fic writers and artists

Hello everyone! I'm writing this because I've locked my fics on AO3, due to a GenAI scrap of AO3. Most of my works are sadly affected, and have thus gotten stolen, except for like the newest two. @morriganfey has locked hers down too, and some others may too in the future.

If you want to read my works, whether new ones or old ones, you should get an AO3 account! I promise it makes things much easier!

If you're a writer on AO3, you might want to take a look at this Reddit post, see if any of your works are affected

This is a problem regardless of fandom or anything. If your fics weren't locked down already, and they fall between a certain number of ids, then it got stolen.

Now I've tagged this with mostly my own fics and the fandoms I've been posting fics in, but I've also tagged some Anti-AI tags and some tags relating to AO3, so hopefully a couple more people will see it too.

It'd be great if people could reblog this. Because regardless of fandom, this is a problem for everyone, both for artists and for writers

Thanks everyone! Even if this is really annoying, I know

&. 𝐚𝐧 𝐚𝐬𝐬𝐨𝐫𝐭𝐦𝐞𝐧𝐭 𝐨𝐟 𝐝𝐢𝐚𝐥𝐨𝐠𝐮𝐞 𝐩𝐫𝐨𝐦𝐩𝐭𝐬.

( this is basically just a very self indulgent list of various fluff, angst, and suggestive themed dialogue sentence starters. )

❛ i could keep you safe. they’re all afraid of me. ❜

❛ i’m trying to fix your hair, so hold still. ❜

❛ your heart is beating so fast right now. ❜

❛ promise me you’ll still be here when i wake up. ❜

❛ you’re not as bad as everyone says you are. ❜

❛ i thought you’d like some company. ❜ 

❛ clean yourself up. you're getting blood all over the place. ❜

❛ here, give this a try and tell me what you think. ❜

❛ you can kiss me, you know. ❜

❛ come back to bed. ❜

❛ you look good like this. ❜

❛ working together again, it’s just like old times. ❜

❛ how is it you always know what i need, huh? ❜

❛ you’re lucky you got away with only a scratch. ❜ 

❛ i can’t imagine losing someone like that. i’m sorry. ❜

❛ you know you can always talk to me. ❜

❛ the only one who gets to kill you, is me. ❜

❛ so, what do i owe this pleasure? ❜

❛ ah, so you aren’t heartless after all. ❜

❛ may i have this dance? ❜ 

❛ it’s okay, you can touch me. i won't break. ❜

❛ enemies make the best lovers, you know. ❜

❛ hold still. this might sting a little. ❜

❛ we can't keep doing this. ❜ 

❛ you look like you've got something to say. ❜

❛ just relax and let me take care of you. ❜

❛ thought you’d be lighter without all that blood. ❜

❛ i had it under control. you didn’t need to do that. ❜

❛ everything looks so beautiful from up here. ❜

❛ you treat all your ladies like this? ❜

❛ well? how do i look? ❜

❛ can’t sleep? ❜

❛ do you mind if i smoke? ❜

❛ i’m scared of ending up alone. ❜

❛ i don’t think i’ve ever seen you smile. ❜

❛ how long has it been since you've slept? ❜

❛ you are losing my interest, and that’s very dangerous. ❜

❛ i’d suffer hell if you’d tell me what you’d do to me tonight. ❜

❛ you look really pretty right now. ❜

❛ i’ve never cared for anyone the way i care for you. ❜

❛ i’m not wearing any underwear. thought you’d like to know. ❜

❛ just a few more stitches and you’ll be as good as new. ❜

❛ i’d say we make a pretty good team. ❜

❛ i want you to forget this ever happened. ❜

❛ i'm here for business — not pleasure. ❜

❛ if i didn't know any better, i'd say you were jealous. ❜

❛ you'd look better down on your knees. ❜

❛ fine, keep acting like you hate me. ❜

❛ kiss me again. ❜

❛ are you asking me out on a date? ❜

❛ just sit there and look pretty and let me handle this. ❜

❛ you okay? caught you staring off into space again. ❜

❛ well, i do feel better now that you're here. ❜

❛ i'm not drunk enough for this. ❜ 

❛ why is it whenever we see each other, you’re covered in blood? ❜

❛ i was wrong about you. ❜ 

❛ the first time i met you, i had no idea you'd mean this much. ❜

❛ you gonna be a good girl / boy for me? ❜

❛ i’m not afraid of you. ❜

❛ books mean more to me than people anyway. ❜

❛ i just wanted to say thank you for protecting me. ❜

❛ how about a kiss goodnight? ❜

❛ i don’t have time for distractions right now. ❜

❛ you shouldn’t be out here by yourself. ❜ 

❛ if i have to think about one more thing today, my head will explode. ❜

How to Write a Character

↠ Start with the basics, because obviously. Name. Age. Gender. Maybe even a birthday if you’re feeling fancy. This is step one because, well, your character needs to exist before they can be interesting. But nobody cares if they’re 27 or 37 unless it actually matters to the story.

↠ Looks aren’t everything… but also, describe them. Yes, we know their soul is more important than their hair color, but readers still need something to visualize. Do they have the kind of face that makes babies cry? Do they always look like they just rolled out of bed? Give us details, not just “tall with brown hair.

↠ Personality isn’t just “kind but tough.” For the love of storytelling, give them more than two adjectives. Are they kind, or do they just pretend to be because they hate confrontation? Are they actually tough, or are they just too emotionally repressed to cry in public? Dig deeper.

↠ Backstory = Trauma (usually). Something shaped them. Maybe it was a messy divorce, maybe they were the middle child and never got enough attention, or maybe they once got humiliated in a spelling bee and never recovered. Whatever it is, make it matter to who they are today.

↠ Give them a goal. Preferably a messy one. If your character’s only motivation is to “be happy” or “do their best,” they’re boring. They need a real goal, one that conflicts with who they are, what they believe in, or what they think they deserve. Bonus points if it wrecks them emotionally.

↠ Make them suffer. Yes, I said it. A smooth, easy journey is not a story. Give them obstacles. Rip things away from them. Make them work for what they want. Nobody wants to read about a character who just gets everything handed to them (unless it’s satire, then carry on).

↠ Relationships = Depth. Nobody exists in a vacuum. Who do they love? Who annoys the hell out of them? Who do they have that messy, can’t-live-with-you-can’t-live-without-you tension with? People shape us. So, shape your character through the people in their life.

↠ Give them a voice that actually sounds like them. If all your characters talk the same, you’ve got a problem. Some people ramble, some overthink, some are blunt to the point of being offensive. Let their voice show who they are. You should be able to tell who’s talking without dialogue tags.

↠ If they don’t grow, what’s the point? People change. They learn things, make mistakes, get their hearts broken, and (hopefully) become a little wiser. If your character starts and ends the story as the same exact person, you just wasted everyone’s time.

↠ Flaws. Give. Them. Flaws. Nobody likes a perfect character. Give them something to struggle with, maybe they’re selfish, maybe they push people away, maybe they’re addicted to the thrill of self-destruction (fun!). Make them real. Make them human.

↠ Relatability is key. Your character doesn’t have to be likable, but they do have to be understandable. Readers need to get them, even if they don’t agree with them. If your character never struggles, never doubts, and never screws up, I have bad news: they’re not a character, they’re a mannequin.

↠ You’re never actually done. Characters evolve, not just in the story, but as you write them. If something feels off, fix it. If they feel flat, dig deeper. Keep refining, rewriting, and letting them surprise you. That’s how you create someone who feels real.

Now go forth and write characters that actually make people feel something. And if you need a reminder, just ask yourself: Would I care if this person existed in real life? If the answer is meh, start over.

I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

Advanced Synonyms for Your Novel

Cold - frigid, icy, chilling

Hot - sweltering, scorching, torrid

Small - minute, diminutive, petite

Big - vast, colossal, gargantuan

Smart - intelligent, astute, savvy

Dumb - obtuse, vacuous, dim-witted

Fast - swift, rapid, fleet

Slow - sluggish, lethargic, dilatory

Old - ancient, decrepit, venerable

Young - youthful, juvenile, fledgling

Good - excellent, superb, stellar

Bad - dreadful, atrocious, abysmal

Strong - robust, sturdy, formidable

Weak - feeble, frail, flimsy

Funny - humorous, witty, comical

some fucking resources for all ur writing fuckin needs

* body language masterlist

* a translator that doesn’t eat ass like google translate does

* a reverse dictionary for when ur brain freezes

* 550 words to say instead of fuckin said

* 638 character traits for when ur brain freezes again

* some more body language help

(hope this helps some ppl)

🤔I know there’s controversy over Lily and Herman Munster having a werewolf kid. Since Herman is made up of other people’s parts, maybe he got a werewolf’s junk🤷🏻‍♀️ Anyway, that’s what is keeping my brain from thinking other things tonight

First line of my new idea “Charlie was dead and it was all my fault.”

If you ever want to freak yourself out, go someplace that you normally go but at a different time or day

Thinking about a sapphic dark academia retelling of Sleepy Hollow

There is a path into the woods at the edge of town. Some say it glitters like starlight, some say it’s welcoming like a path to grandma’s house, the rest of us will never see it at all.

New story idea-Only those with “the sight” can see the path into the woods. Those that follow it come out with special gifts. Alyssa desperate to have an extraordinary life finds a way to see the path without the sight🤔

Apparently the heat wave is thanks to my customer who told me she was praying for the ridge of high pressure that is keeping the heat in because it’s also keeping hurricanes away. I’m not saying there were virgins sacrificed, but the way she said “I’ll do just about anything to make sure we don’t get another storm.” makes me think there was at least one😳