Reviews of comics and books + a whole lot of fandom and eccentric stuff. MOD: Judith/24/BE/ Student-teacher and eclectic pagan.
65 posts
We Are Okay Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend, Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit, and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart.
Into the Drowning Deep Seven years ago, the Atargatis set off on a voyage to the Mariana Trench to film a “mockumentary” bringing to life ancient sea creatures of legend. It was lost at sea with all hands. Some have called it a hoax; others have called it a maritime tragedy. Now, a new crew has been assembled. But this time they’re not out to entertain. Some seek to validate their life’s work. Some seek the greatest hunt of all. Some seek the truth. But for the ambitious young scientist Victoria Stewart this is a voyage to uncover the fate of the sister she lost. Whatever the truth may be, it will only be found below the waves. But the secrets of the deep come with a price.
The Gentleman’s Guide to Vice and Virtue Henry “Monty” Montague was born and bred to be a gentleman, but he was never one to be tamed. The finest boarding schools in England and the constant disapproval of his father haven’t been able to curb any of his roguish passions—not for gambling halls, late nights spent with a bottle of spirits or waking up in the arms of women or men. But as Monty embarks on his Grand Tour of Europe, his quest for a life filled with pleasure and vice is in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and travelling companion, Percy.
Ghost Wall In the north of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie’s father is fulfilling his lifelong obsession.
Carry On Simon Snow is the worst Chosen One who’s ever been chosen. That’s what his roommate, Baz, says. And Baz might be evil and a vampire and a complete git, but he’s probably right. Half the time, Simon can’t even make his wand work, and the other half, he starts something on fire. His mentor’s avoiding him, his girlfriend broke up with him, and there’s a magic-eating monster running around, wearing Simon’s face. Baz would be having a field day with all this, if he were here — it’s their last year at the Watford School of Magicks, and Simon’s infuriating nemesis didn’t even bother to show up.
Sadie Sadie hasn’t had an easy life. Growing up on her own, she’s been raising her sister Mattie in an isolated small town, trying her best to provide a normal life and keep their heads above water. But when Mattie is found dead, Sadie’s entire world crumbles. After a somewhat botched police investigation, Sadie is determined to bring her sister’s killer to justice and hits the road following a few meager clues to find him. When West McCray―a radio personality working on a segment about small, forgotten towns in America―overhears Sadie’s story at a local gas station, he becomes obsessed with finding the missing girl. He starts his own podcast as he tracks Sadie’s journey, trying to figure out what happened, hoping to find her before it’s too late.
The Girl with the Red Balloon When sixteen-year-old Ellie Baum accidentally time-travels via red balloon to 1988 East Berlin, she’s caught up in a conspiracy of history and magic. She meets members of an underground guild in East Berlin who use balloons and magic to help people escape over the Wall—but even to the balloon makers, Ellie’s time travel is a mystery. When it becomes clear that someone is using dark magic to change history, Ellie must risk everything—including her only way home—to stop the process.
Jane Steele Like the heroine of the novel she adores, Jane Steele suffers cruelly at the hands of her aunt and schoolmaster. And like Jane Eyre, they call her wicked - but in her case, she fears the accusation is true. When she flees, she leaves behind the corpses of her tormentors. A fugitive navigating London’s underbelly, Jane rights wrongs on behalf of the have-nots whilst avoiding the noose. Until an advertisement catches her eye. Her aunt has died and the new master at Highgate House, Mr Thornfield, seeks a governess. Anxious to know if she is Highgate’s true heir, Jane takes the position and is soon caught up in the household’s strange spell. When she falls in love with the mysterious Charles Thornfield, she faces a terrible dilemma: can she possess him - body, soul and secrets - and what if he discovers her murderous past?
July 2015 edition
Interview & Cover Subject: Steve Rogers
Interview by Peter Parker
PP: What made you so involved in the fight for marriage equality despite the fact that it was legal in your home state of New York even before the Supreme Court’s decision?
SR: “Me and Bucky have had things trying to keep us from loving each other our entire lives. The federal government was one of them for far too long and the fact that they were still doing it to people like us a century later is something that this country needs to be ashamed of. I never wanted anyone else to be denied of something that everyone deserves to have as an option- the option to love freely and legally.”
PP: How hard was it growing up gay in the forties?
SR: “I mean, it was illegal, so the threat of jail time was constantly looming over us. We were lucky to live in a pretty open neighborhood- lots of drag queens honestly, one was my babysitter as a kid. But it was hard, definitely, having to pretend. It was scary being worried about the law or anyone who might have seen you for what you were. There was a lot of fear in everyone I knew who was queer, but that was something both me and Bucky were willing to endure to be with each other. I’m glad that gay rights and acceptance have changed for the better in this century but I think we all need to admit we still have a long way to go. The Supreme Court’s decision was a step further in the right direction, but it’s not a place to stop by any means.”
PP: What advice, if any, would you offer to LGBTQ+ youth out there who look up to you and your story?
SR: “Ah, that’s a tough one. There’s all the standard stuff about not being afraid, accepting yourself, how it’ll get better as time goes on. That’s all true! But if I was going to give any advice, I don’t want it to be something they’ve all heard before. So, I guess the biggest advicr I can give you is: it’s okay to not be immediately sure of things. Not bring sure, questioning yourself, even changing your mind- it’s all okay. It’s part of the process, and it’s okay not to have an answer. And don’t let people use your uncertainty as an excuse to force their own opinions about you down your throat as the truth. That’s another big lesson. Don’t let other people’s decisions about you influence who you think you are.”
PP: Now that same-sex marriage is legal in every state, will you be popping the question to your boyfriend anytime soon?
SR: “Actually, Bucky proposed to me during the war. Of course we couldn’t do anything much about it back then besides trade dogtags and have one of our squad bless us- nothing binding- but we’ve always considered it a standing engagement, but now that it’s legal we’ll be going about it the traditional way this time- right now it’s just a matter of waiting to see who springs the question first. I’m pretty sure our friends have bets going. If Sam loses, he’ll never let me hear the end of it.”
PP: So, this last question isn’t actually one from me, but if you don’t mind I’ll just hand it over.
SR: “What?”
BB: Hi, baby. I’m taking over the interview.
SR: “Bucky? What are you doing? Are you going to-“
BB: I’m the one asking questions here, Rogers. Now, to get down to it: Will you marry me?
SR: “Did you just propose to me during an interview?
BB: Natasha said it was the perfect way to get the drop on you.
SR: “Is this on the record?”
BB: ...Only if you say yes?
SR: “Bucky, of course I’m saying yes. Yes, you idiot. Always.”
Would you say maladaptive daydreaming about interacting with the Gods would be disrespectful?
No. As far as I’m aware, maladaptive daydreaming is not something you want or control.
I got stung twice by the same wasp today, because the class I was observing for training danced on its field for an hour.
i love twitter. why does this have 4.9K likes
Iron Man 3 - Heyo Lee | Tony Stark | James Rhodes
You ever invite your coworker to watch you give birth just to spite a racist
Controversial Truths About Ancient Egypt Masterpost
The pyramids were built by contemporary workers who received wages and were fed and taken care of during construction
The Dendera “lightbulb” is a representation of the creation myth and has nothing to do with electricity
We didn’t find “““copper wiring””” in the great pyramid either
Hatshepsut wasn’t transgender
The gods didn’t actually have animal heads
Hieroglyphs aren’t mysteriously magical; they’re just a language (seriously we have shopping lists and work rosters and even ancient erotica)
The ancient Egyptian ethnicity wasn’t homogeneous
Noses (and ears, and arms) broke off statues and reliefs for a variety of reasons, none of which are “there is a widespread archaeological conspiracy to hide the Egyptian ethnicity”
thinkin about my (openly gay) lit professor today saying, “one of my favorite historical anecdotes is the time that Oscar Wilde was in America, at the same time that Walt Whitman was active and writing poems about sticking his tongue down other men’s shirts, and Wilde went to Whitman’s house exactly one time and spent several hours there, and ever since all these historians have been like ‘what could they have been doing???? it’s such a shame we’ll never know…’ and I just…. we know. the only question now is who was the top.”
Umberto Eco's work on the philosophy of language is fascinating, but my hand doesn't appreciate the constant note taking.
♪ Who d'you think you’re kidding
He’s the earth and heaven to you
Try to keep it hidden,
Honey we can see right through you ♪
This is one of my favorite theories behind atla and I wanted to share my own breakdown of it.
SO the raids on the SWT began in 40 AG. They continued until each and every waterbender from the Southern Water Tribe had been captured. (Note: captured)
Worth noting is that Hama refers to herself as the last waterbender of the Southern Water Tribe.
Here’s where the conspiracy gets juicy. Hama was the only one who managed to escape. She created bloodbending to get out of the prison. And she says herself that she’s the only one who escaped. This could be for one of two reasons:
All of the other prisoners had already succumb to the conditions or been killed
The remaining waterbender prisoners were murdered after Hama’s escape
The second option is more plausible. Hama displayed a dangerous, powerful, unknown form of waterbending and overtook a Fire Nation guard’s body. She had him unlock her cell and fled. If there were remaining waterbenders in the prison they would have been killed out of fear once Hama escaped.
They Fire Nation couldn’t risk anyone else in their prison possessing this power. So they were all murdered because of Hama’s escape.
Look at Hama’s reaction to hearing that the raids continued. A kind of casual “oh, you poor things.” Hama knew that the raids continued because she escaped. All of the waterbenders had already been caught! The only waterbender of the Southern Water Tribe that was known at that time to be free or alive was Hama.
And she knew better than to return to her home, where they were sure to come looking for her. She stayed and hid right under their noses because she knew they were going to tear the world apart trying to track her down. She was too dangerous.
When Yon Rha comes to the Southern Water Tribe in 94 AG Katara is still a child. Their tribe has been in shambles for years at this point. Katara is the tribe’s last hope and they’re a tiny tribe at that point in time. Do you honestly think that word of a child waterbender would have made way to the Fire Nation?
Do you think that the Water Tribe would ever release that information willingly? I don’t. I think that the Southern Raiders had no idea that another waterbender had been born into the Southern Water Tribe.
Why else would Yon Rha have accepted that an adult was the waterbender he was looking for? The intel didn’t say that a new waterbender was born, the intel said that there’s one waterbender left. The Fire Nation already knows about the last waterbender of the SWT. She escaped. And they’re still trying to find her.
The Fire Nation is adamant about finding the last waterbender because they’re looking for Hama. Hama, who can control people’s bodies. Hama, who managed to escape a high-security Fire Nation prison without any water. Hama, the only waterbender to best the Fire Nation. And the only one left.
Kya offers herself up as prisoner to Yon Rha. Because she knows that the past raids meant that the Southern Raiders took the waterbenders prisoner. But that has changed.
Why would their procedure have changed? Why did they stop taking waterbenders as prisoners? Because of Hama. They stopped taking waterbenders prisoner after Hama’s escape.
Tl;dr the Southern Raiders were never looking for Katara, they were looking for Hama.
Writing advice from my uni teachers:
If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.
Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.
Don’t overuse metaphors, or they lose their potency. Limit yourself.
Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.
The weirdest guy I ever met in a church was this boy who referred to “Buzz Aldrin and his husband” going to the moon. I was completely baffled, and when I asked if he’d misspoken, he got really angry and accused me of being deliberately ignorant of the facts. It turned out that he was somehow comvinced that Buzz Aldrin and Neil Armstrong were married. It took five Wikipedia articles to convince him otherwise.
I know Steve is really talented with his shield and is like an expert with it
but just imagine him smacking it in his face
or tripping over it
or waking up in the middle of the night and he shuffles off to the bathroom only to step on the edge of the shield and it smacks him in the shin and he curses loudly enough to wake up the other Howling Commandos who just sit up and start laughing at the way Steve is holding onto his leg and swearing
When Apollo is rampaging out of your door, and you have no Auntie Hestia at home, ready to pamper you with cuddles, comfort and a safe cleansing with fire that will kill one by one each germ… Well, what to say, maybe it’s really the time to stay put at home.
Especially if you’d go to meet some very mortal, very sensible to disease-bringing arrows friends.
(you were wondering how come our Hestia is not a jerk as her family? Well, she kinda goes by the rule “Manners maketh the man”. She’ll snap her fingers and incinirate you with zero regrets if you get on her bad side, but with a smile on her face and saying thank you and please can you just move away from that rug it looks like it’d be a mess to clean like the polite lady she is.)
Assassin’s Creed Valhalla is looking to be far more deep in story than we’ve ever previously imagined, especially with its main protagonist, Eivor. From the beginning, and now more than ever with recent information and hints slowly dripping from various sources it looks that Eivor may be the most complex character the series has had in years, with their gender and how they identify with it being a potential key story element - an Assassin’s Creed first. As a member of the LGBT community this is very exciting to witness.
From the initial reveal it was confirmed that both Male and Female Eivor were canon (however it took literal months before Female Eivor was even revealed, and even longer for her Cinematic Trailer to be released). Darby McDevitt, Narrative Director of Valhalla emphasized many times that both versions are one and the same, and that one cannot exist outside the other. Along with an Animus explanation, Darby also said that there is an In-World story explanation for why both are canon (which also ties in with why we can switch between genders at any point in gameplay) however it is considered a major spoiler, and he cannot say any more.
HOWEVER, a prequel graphic novel, Assassin’s Creed Valhalla: Song of Glory has confirmed Female Eivor as the protagonist for their 3-arc story. When asked about why this is on Twitter, Darby said that “It’s more complicated than that” and that “It’s all part of the long-term plan…”. So how can Eivor both be ONLY female in the comics, yet more than one gender in the game?
Eivor was canonically born a woman
In Song of Glory it is very blatant that Eivor is a woman, through and through. We learn a lot more about her and her family, with the description reading…
“Eivor, a Viking warrior, observes a village raided by a neighboring kingdom. Bloodshed and mayhem erupt as she seizes the attack in her own favor - but will her victory be a blessing to her clan or a terrible curse?”
In new info released earlier today, we also learned that…
Eivor is the daughter of King Styrbjorn, a wise ruler - making her a princess!
She has a brother named Sigurd (older or younger we do not know) who went East
She has been disgraced by her father, and must regain her honor by going on a quest that will eventually lead her to a “forgotten temple of a poweful God”
She also seizes another woman named Gull, who claims to have supernatural powers, and has a direct effect on Eivor herself
Her brother Sigurd is East in search of riches and treasures, and discovers something that changes everything
So why is all of this new information so important? And how does all of this tie into the canon of the game?
Eivor is Female at birth but by some sort of Isu artifact she comes across she is granted similar powers of Loki (who would of been Isu) therefore allowing her to become Gender-fluid if she so pleased.
This. This right here would explain everything perfectly, while keeping with everything Darby, the comics and Ubisoft themselves have all said.
So Eivor, having now being forced to go and restore her honor after some horrific events following this raid, will probably engage with Gull and ask for her help, who will then tell Eivor where she must go and what to do to correct her mistakes. After a series of events, Eivor eventually ends up at this “forgotten” temple, where she comes into possession of a powerful Isu artifact. I don’t know yet what it would be - a piece on her armor, a weapon, something we have yet to see on her? This artifact, now bonded with Eivor, allows her to fully come to terms with her complex understanding of her own gender. As any member in the LGBT community can tell you, gender is a very unique and complicated experience, as it is a spectrum.
Now with the powers of Loki within her, she is finally able to come to an understanding of her true relation to her gender identity, and in doing so is given the power to “switch” between male and female, making Eivor Gender-Fluid from here on out.
So Eivor, now finally being able to accept and live their truth, returns home and restores their honor, etc. And as I do believe that Eivor more closely identifies as female, yet also goes by They/Them when they call for it. So for now, I will still refer to Eivor as Her and They.
But what of her brother Sigurd? How does he tie in with Eivor and the Isu?
I do not think he will be in the game for very long, if at all. Sigurd, while Eivor was having their own personal journey, was East - most likely near the Mediterranean and Middle-East. It’s most likely he discovered The Hidden Ones, as by then their reach would of easily been all along that whole region. It is a fact that the Vikings had established strong trade partnerships with the Middle-East, and we also know that Middle-Eastern visitors (definitely Hidden Ones) come to Norway at the beginning of the game.
We also know that Eivor receives the Hidden Blade very early in the campaign, before she even leaves Norway, and that it is given to her by the Hidden Ones.
So Eivor comes home after her journey, and becomes Leader of her clan. Sigurd shortly after comes home as well, where he brings the Hidden Ones for whatever reason. Something happens to Sigurd either before the game or extremely early in the game, and perhaps when the Hidden Ones meet Eivor, because of who they are, immediately see her connection with the Isu, and therefore decide to pass on the Hidden Blade to her, as her brother is no longer an option, and she is more worthy of such responsibilities.
And so the Main Story of Assassin’s Creed Valhalla begins, with Eivor as a Gender-Fluid, Isu-powered Viking Leader ready to set out in search for better lands for their people, and to fulfill their destiny as a Hidden One.
Of course this is all theoretical, but it absolutely makes the most sense with all the rumors, allegations, hints and confirmations about their gender. With Eivor being canonically born as a woman, and for them to be given the allowance to live as they truly are (GF) validates not just the Main Campaign, but also the Prequel. And how Eivor grapples with their gender, and how they and/or others perceive themselves will be a story arc that will be revealed throught the campaign, as Darby has said several times that their gender is an arc that will be revealed in the long haul of the story.
Gender is an extremely complex topic, and to me this is the only logical explanation on how both Male and Female Eivor could ever be canon simultaneously. It’s an interesting concept, and it’s very exciting to think we may actually see a main story encompass these underlying queer themes.
With that said, Female Eivor seems to be the intended gender by birth, and therefore she deserves to shine in her own right
Play as Lady Eivor
Me: I can fix this.
“We are all so afraid, we are all so alone, we all so need from the outside the assurance of our own worthiness to exist.”
- The Good Soldier, Ford Madox Ford
You may well ask why I write. And yet my reasons are quite many. For it is not unusual in human beings who have witnessed the sack of a city or the falling to pieces of a people to desire to set down what they have witnessed for the benefit of unknown heirs or of generations infinitely remote; or, if you please, just to get the sight out of their heads.
Ford Madox Ford, The Good Soldier (via relatablepoetryandquotes)
I’m reading a novel that was written in 1915 and has a whole paragraph just casually discussing sexism, objectification, asexuality and the impermanence of love. I don’t care if the characters are supposedly ‘despicable’, Ford Madox Ford was onto something.
‘The Good Soldier’ by Ford Madox Ford, on page 84 of 179.
The Theoi are meant to be worshipped. And that means by anyone. If you feel so inclined to worship a deity, do it! Worshipping the gods isn’t like an exclusive club, they were worshipped historically by a vast array of people as just a part of life. So give them some offerings and some prayers and just go from there. We were meant to worship them, so don’t feel insecure about wanting to! The gods are already part of your life whether you know it or not, so just reach out!
Fic authors have a problem with feedback – or rather, with the lack of it. Fanfiction has a notoriously low ratio of comments to hits, and many of us have expressed our frustration that we can get a hundred, two hundred, five hundred, even a thousand views on our stories, but only a handful of readers will leave kudos, let alone comments.
Unfortunately, this only gets worse for long, multi-chapter stories (aka, the longfics we know, love, and would sell our souls in a second if it meant an update), which also happen to be the stories that authors need the most support to continue and complete. Law of diminishing returns, y’all, and it sucks.
We’re not here to guilt you into leaving comments. We want to address the problem by changing the format, and we need your help to do it.
The goal is to increase the amount of feedback authors get from readers, especially on stories with multiple chapters, and to make it easier for everyone to show how much we love fics. We’re opening a discussion with ao3 to figure out how/if any of these options can be implemented, but first we need options to present!
Ability to leave a form of kudos on every chapter, instead of only once on the entire story: this lets authors know that you’re here and you’re reading their updates, so their hard work isn’t getting tossed into the internet void.
Comment templates: suggested comments that can be customized or posted as-is. Many of us draw a blank or get nervous when we try to think of a comment, so having pre-made options will both increase the total level of feedback and serve as practice, making it easier to leave more in-depth comments in the future.
Upvoting/leaving kudos on comments themselves: positive reinforcement makes giving feedback more fun and rewarding, and it lets the author know that readers are present and agreeing with other comments, even if they don’t leave one themselves.
We’ll contact AO3 to discuss the possibility of adding any of these as native features, and if that won’t work, we’re looking into creating and sharing a user script.
As a reader, what would you like to have? What would you be most likely to use? New ideas, opinions on ideas that are listed here, they’re all good.
As a creator, how would you feel about each of these options? Can you think of other ways of receiving or encouraging feedback?
Pros and cons of these (note: our thoughts on this are discussed in this google doc)
GET THE WORD OUT! Reblog this post, send it to your friends, link to it from your stories. We need as much input and support as possible to get this off the ground.
Feedback makes for happy authors. Happy authors make for more stories. Let’s keep this part of fandom alive!
More details about our thoughts, discussions, and ideas can be found in this google doc.
Artists, it’s time to claim your story for the 2020 Captain America/Iron Man Big Bang!
Before you submit your claims list and get paired up with a fantastic fic, make sure that you’ve read the claims post in full! This way, there won’t be any surprises in your future, and you’ll be fully prepared for the challenge. At this stage, each fic will only be paired up with a single artist, so consider your choices carefully! As always, if you have any questions, please contact the mods at cap.im.events@gmail.com.