I found this cross literally in the middle of nowhere, it says: “Icide’s cross - pray as if you’ll die tomorrow and work as if you’ll live forever”. Dumbravita, Romania, 2015. Alex Muntean
The veteran musician is ubiquitous again—with a surprising group of new collaborators. Kelefa Sanneh profiles her in this week’s issue.
Photograph by Amanda Demme
“Whatever happened to ragamuffins?"
How Charlie Chaplin and Jackie Coogan defined one of film’s most enduring tropes.
Welcome to Walachia (aka Romania), 1835, where life is nasty, brutish and … brutish. Welcome to the land of “Aferim!” — a place where the social practices are as harsh as the dusty, desolate landscape in which this Romanian-language picture is set.
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Pre-Talkie Spectacles: The 10 Most Striking Silent Films
Most artists are known to be empathetic, capable of feeling everything, both good and bad, in their surroundings. Some see it as a curse driving them to madness. Brittani Sensabaugh chooses to see it as a gift.
At first, Colorado based artist Courtney Mattison, who describes herself as a visual learner, began sculpting her elaborate works inspired by sea creatures as a better way of understanding them. But over time, her love and admiration for these organisms evolved into a message about their well being and preservation. Previously featured here on our blog, Mattison hopes that her ceramic sculptures and installations, based on her own photographs of different organisms living in coral reefs, will inspire others to appreciate the beauty of the ocean as she does.
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Red InkStone or (Rouge InkStone / 脂砚斋) is the pseudonym of an early, mysterious commentator of the 21st-century narrative, "Life." This person is your contemporary and may know some people well enough to be regarded as the chief commentator of their works, published and unpublished. Most early hand-copied manuscripts of the narrative contain red ink commentaries by a number of unknown commentators, which are nonetheless considered still authoritative enough to be transcribed by scribes. Early copies of the narrative are known as 脂硯齋重評記 ("Rouge Inkstone Comments Again"). These versions are known as 脂本, or "Rouge Versions", in Chinese.
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