I'm in hell they/them 19
66 posts
A butler notices his lady of the house has changed—meek and kind instead of evil. One day, he overhears her crying: "Why?! I did everything right, so why the bad end?! This isn't fair... I don't want to die."
When a mage is badly injured, magic sometimes "fills in the gaps"—growing an arcane hand or leg. You suffered brain damage that would have killed most. Magic filled in your mind.
A new dating spell is trending in the magic world—cast it, and if your perfect match also does, you’ll instantly know who and where they are. Simple. Yours just activated. Their name burns in your mind… and their location? Deep beneath the earth, at the bottom of a dungeon no one returns from.
"Look, people only call it 'Dark Magic' because they don't know how it works. I prefer referring to it as 'The Old Ways-'" "Cut the bullshit. I just watched you sacrifice a kitten on an altar covered in skulls impaled on spikes. IT'S DARK MAGIC."
A friend invites you over to an apartment he bought, raving about the grandness and low rent. Once you visit, you discover that it’s actually completely haunted. Your friend has no idea.
Lost & Found AU part 11.2 (Because I forgot tumblr only allows 10 images per post so I’m gonna have to split it in two)
Quirkless AY ft. Todosiblings, big bro Touya and Dabihawks BUT IT’S COMPLICATED
I Part 12 I Part 11.2 I Part 11.1 I Part 10 I Part 9 I Part 8 I Part 7.2 I
I Part 7.1 I Part 6 I Part 5 I Part 4 I Part 3 I Part 2 I Part 1 I
Hi there, your blog has been a tremendous help, thank you so much for making so many good posts. I wanted to ask you if you could maybe make a post about story/novel starters, like with examples or some ideas for it. Thank you again and please keep up the amazing work!
The Beginning ⚜ Hooking your Readers ⚜ Your First Chapter
Chapter Outline ⚜ Chapters: What to Include ⚜ Dialogue
Establishing Voice ⚜ Exploring your Setting ⚜ Freewriting
Creative Writing: How to Start ⚜ Elements
"Interviewing" your Characters ⚜ Plotting your Novel
Snowflake Method ⚜ Plot Method ⚜ The Story Circle
Questions Before Writing Your Novel ⚜ Tips: First Novel
Tropes: Borrow from or Subvert them ⚜ Use Templates (Example)
Ways to Generate an Idea ⚜ Your Audience
Hi, thanks so much for your kind words. Here are some references and tips you can consider. Some links include examples in media portrayals, such as those on literary and character tropes that you can use for inspiration. All the best with your writing!
More: On Plot Development ⚜ Writing Templates ⚜ Tips & Advice
Chapter name:
Chapter theme or big idea:
Characters involved in the chapter:
Chapter setting(s):
What happens at the beginning of the chapter?
What happens during the middle of the chapter?
What happens at the end of the chapter?
What is the most important moment in the chapter?
How does the chapter tie into the overall story:
Source
Fantasy Guide to Political Structures
A Horse! A Horse! My X for a Horse!
Let's be honest, fantasy authors love their kingdoms and empires. You can throw a rock in a bookshop or a library in the fantasy section and you will 99.99999% hit a fantasy book that will be set in or mention either of those structures. But what are they really? What's the difference between them all? Are there any more examples of structures that would suit your WIP better? Are you using the right terms? Let's have a closer look.
A Duchy is a small territory ruled by a Duke/Duchess. While Duchies can be found in kingdoms, some duchies were sovereign states in their own right. Duchies are usually small by land mass but some duchies such as Burgundy were extremely powerful and influential. Independent Duchies were usually apart of a kingdom but grew so powerful that they eventually broke away to become a sovereign state in their own right. An example would be modern day Luxembourg, historic Milan and Burgundy.
A principality is territory ruled by a Prince/Princess. A principality is typically smaller than a kingdom and in some instances, can be apart of a larger kingdom or be a sovereign state. Principalities have a history of having broken away from a larger kingdom or eventually becoming apart of a kingdom. A principality within a kingdom is ruled by a Prince/Princess, usually an heir of the monarch and can be used to train them up to assume the throne in the future. Examples include Monaco, Liechtenstein and Andorra.
A sovereign state/country that is ruled by ruling King or a Queen. A kingdom is much larger and more powerful than a principality. Kingdoms can be feudal, meaning they are ruled in a strict hierarchy or an autocracy where the monarch rules alone with minimal input from the government or constitutional where the monarch is more of a figurehead and the government has a good chunk of control. Examples include England, Thailand and modern day Spain.
A Commonwealth isn't a popular choice in fantasy but it is an interesting structure. A Commonwealth in its most basic form is a collection of states that are linked by either a shared culture or history. A Commonwealth can be a politically power or an economic power, with every state allowed to participate as much as they like. Not one state leads the others, it is all one group of equals. A Commonwealth can be a good idea for a group of nations that are more powerful together with them keeping their own independence.
A Federation is a political structure that is made up of united states or countries that are under a single government but each state is still independent and rules itself. Each state can have different laws, different cultures and economies but they all answer to the single government. Examples include the United States of America.
A Republic is a territory that is ruled by leaders and heads of state that have been elected on merit and by choice of the people. Republics are not just countries but can also be much smaller areas such as cities. Republics are democratic in nature, with the people having a say in who leads them in accordance to a constitution. There are many kinds of Republic: presidential, parliamentary, federal, theocratic, unitary. Examples of Republics include the Republic of Ireland and the city of Florence.
A Protectorate is a country/region/territory that is independent but relies on a larger, more powerful state for protection either in a military or diplomatic sense. A Protectorate was often used by Empires in order to maintain control over an area without annexing it. There are many reasons a larger state and the protectorate would agree to this, mainly the protectorate is much smaller meaning it is far more vulnerable to attack or it has very little power when compared to other states. A Protectorate allows the territory some power to rule itself but the larger state may feel the need or desire to interfere in the dealings of the territory. Examples of protectorates include the client kingdoms of the Roman Empire like Egypt before its annexation and Puerto Rico.
An Empire is a collection of nations that are united under one sovereign head of state or government. An Empire is formed by one nation steadily taking control of other nations, either through straight invasion and colonization or acquiring them through marriage and other less violent ways. An Empire is powerful mainly because it can drum up more resources, more influence and more military power. An Empire might impose the traditions, beliefs and culture of its principal nation - the nation that started it all - onto its colonies for better control and feeling of uniformity. Empires never last, that is something to always remember. Empires will eventually fragment due to the vast size and sometimes revolt among the conquered states. Examples of empires include the Roman Empire, the Byzantine Empire, the Ottoman Empire.
by Randy Ingermanson
15 words or fewer
No character names
Tie big picture to “personal picture” - what does the character have to lose and what do they want to win?
Read NYT bestseller blurbs for inspiration
Approx. 5 sentences
Story setup
(Three) Major disasters
Ending
Character’s…
Name
One-sentence storyline
Motivation (what do they want abstractly?)
Goal (what do they want concretely?)
Conflict (what prevents them from reaching goal?)
Epiphany (what they learn, how they change)
One-paragraph storyline
All paragraphs end in disaster, except…
Final paragraph shows how the book ends.
Tell story from POV of each character.
High level logic & strategic decisions
Birthdate
Description
History
Motivation
Goal
Epiphany, etc.
One line per scene
Columns for: (a) POV character (b) What happens (c) Page numbers
Add dialogue
General workings of conflict
Source ⚜ More: The Snowflake Method ⚜ Plot ⚜ Character ⚜ Worldbuilding
heya!! Was wondering if you had any tips for writing characters going through withdrawal? Sorry if it's a weirder ask, but would a symptoms list be possible? Thanks in advance!!
Withdrawal - Substance-specific physiologic effects, symptoms, and behavioral changes that are caused by stopping or reducing the intake of a substance.
It is a pharmacologic symptom in which untoward physical effects occur when the drug is stopped or when it is counteracted by a specific antagonist
Substance Withdrawal - A syndrome that develops after cessation of prolonged, heavy consumption of a substance.
Symptoms vary by substance but generally include:
physiological,
behavioral, and
cognitive manifestations, such as nausea and vomiting, insomnia, mood alterations, and anxiety.
DSM–IV–TR identifies 6 drug classes associated with withdrawal:
alcohol,
amphetamines,
cocaine,
nicotine,
opioids, and sedatives,
hypnotics, or anxiolytics.
DSM–5 and DSM-5-TR list
tobacco in place of nicotine and
further identify caffeine and
cannabis as being associated with a withdrawal syndrome.
To be classified as a substance-withdrawal disorder,
the withdrawal syndrome must cause the patient significant distress and/or impair functioning (e.g., social, occupational).
Most patients with withdrawal recognize that readministering the substance will reduce their symptoms.
ALCOHOL WITHDRAWAL
Alcohol Withdrawal - Symptoms that may occur when a person who has been drinking too much alcohol on a regular basis suddenly stops drinking alcohol.
These symptoms tend to occur within 8 hours after the last drink, but can occur days later. Symptoms tend to peak by 24 to 72 hours, but may go on for weeks.
Common alcohol withdrawal symptoms include:
Anxiety or nervousness
Depression
Fatigue
Irritability
Jumpiness or shakiness
Mood swings
Nightmares
Not thinking clearly
Other alcohol withdrawal symptoms may include:
Sweating, clammy skin
Enlarged (dilated) pupils
Headache
Insomnia (sleeping difficulty)
Loss of appetite
Nausea and vomiting
Pallor
Rapid heart rate
Sweating, clammy skin
Tremor of the hands or other body parts
Delirium Tremens - a severe form of alcohol withdrawal. It can cause:
Agitation, irritability
Sudden, severe confusion (delirium)
Fever
Seeing or feeling things that aren't there (hallucinations)
Seizures
A continuum of symptoms and signs of central nervous system (including autonomic) hyperactivity may accompany cessation of alcohol intake.
A mild alcohol withdrawal syndrome includes tremor, weakness, headache, sweating, hyperreflexia, and gastrointestinal symptoms. Tachycardia may be present and blood pressure can be slightly elevated. Symptoms usually begin within about 6 hours of cessation. Some patients have generalized tonic-clonic seizures (called alcohol-related seizure, or rum fits) but usually not > 2 in short succession. Seizures generally occur 6 to 48 hours after cessation of alcohol.
Alcoholic hallucinosis (hallucinations without other impairment of consciousness) follows abrupt cessation from prolonged, excessive alcohol use, usually within 12 to 24 hours. Hallucinations are typically visual. Symptoms may also include auditory illusions and hallucinations that frequently are accusatory and threatening; patients are usually apprehensive and may be terrified by the hallucinations and by vivid, frightening dreams. Alcoholic hallucinosis may resemble schizophrenia, although thought is usually not disordered and the history is not typical of schizophrenia. Symptoms do not resemble the delirious state of an acute organic brain syndrome as much as does delirium tremens (DT) or other pathologic reactions associated with withdrawal. Consciousness remains clear, and the signs of autonomic lability that occur in DT are usually absent. When hallucinosis occurs, it usually precedes DT and is transient.
Delirium tremens usually begins 48 to 72 hours after alcohol withdrawal; anxiety attacks, increasing confusion, poor sleep (with frightening dreams or nocturnal illusions), profuse sweating, and severe depression also occur. Fleeting hallucinations that arouse restlessness, fear, and even terror are common. Typical of the initial delirious, confused, and disoriented state is a return to a habitual activity; eg, patients frequently imagine that they are back at work and attempt to do some related activity.
OPIOID WITHDRAWAL
Opiates or opioids are drugs used to treat pain.
Opiates are derived from plants and
opioids are synthetic drugs that have the same actions as opiates.
The term narcotic refers to either type of drug.
If you stop or cut back on any of these drugs after heavy use for a few weeks or more, you will have a number of symptoms. This is called withdrawal.
Early symptoms of opiate and opioid withdrawal include:
Agitation
Anxiety
Muscle aches
Increased tearing
Insomnia
Runny nose
Sweating
Yawning
Late symptoms of opiate and opioid withdrawal include:
Abdominal cramping
Diarrhea
Dilated pupils
Goosebumps
Nausea
Vomiting
These symptoms are very uncomfortable but are not life threatening. Symptoms usually start within 12 hours of last heroin usage and within 30 hours of last methadone exposure.
Withdrawal from opioids can cause:
Sweating
Chills
Anxiety
Agitation
Muscle aches
Insomnia
Abdominal cramping
Nausea
Vomiting
Withdrawal symptoms may increase in severity over 72 hours before beginning to ease. Unlike withdrawal from other drugs such as alcohol or benzodiazepines, withdrawal from opioids is uncomfortable but rarely life-threatening.
The opioid withdrawal syndrome usually includes symptoms and signs of central nervous system hyperactivity.
Onset and duration of the syndrome depend on the specific drug and its half-life.
Symptoms may appear as early as 4 hours after the last dose of heroin, peak within 48 to 72 hours, and subside after about a week.
Anxiety and a craving for the drug are followed by increased resting respiratory rate (> 16 breaths/minute), usually with diaphoresis, yawning, lacrimation, rhinorrhea, mydriasis, and stomach cramps. Later, piloerection (gooseflesh), tremors, muscle twitching, tachycardia, hypertension, fever and chills, anorexia, nausea, vomiting, and diarrhea may develop.
Opioid withdrawal does not cause fever, seizures, or altered mental status. Although it may be distressingly symptomatic, opioid withdrawal is not fatal.
The withdrawal syndrome in people who were taking methadone (which has a long half-life) develops more slowly and may be less acutely severe than heroin withdrawal, although users may describe it as worse.
Even after the withdrawal syndrome remits, lethargy, malaise, anxiety, and disturbed sleep may persist up to several months.
Drug craving may persist for years.
NICOTINE WITHDRAWAL
Common Nicotine Withdrawal Symptoms
Having urges or cravings to smoke
Feeling irritated, grouchy, or upset
Feeling jumpy and restless
Having a hard time concentrating
Having trouble sleeping
Feeling hungrier or gaining weight
Feeling anxious, sad, or depressed
Trying to quit smoking feels different for each person, but almost everyone will have some symptoms of nicotine withdrawal. When you stop, your body and brain have to get used to not having nicotine. This can be uncomfortable, but nicotine withdrawal can’t hurt you – unless you give in and have a cigarette. Over time, withdrawal symptoms will fade as long as you stay smoke-free.
CAFFEINE WITHDRAWAL
Caffeine intoxication and caffeine withdrawal are included in DSM-5-TR.
Caffeine use disorder, however, is in the section of DSM-5-TR for conditions requiring further research. While there is evidence to support this as a disorder, experts conclude it is not yet clear to what extent it is a clinically significant disorder.
Some signs of caffeine withdrawal include:
impaired behavioral and cognitive performance,
decreased or increased blood pressure,
decreased motor activity,
increased heart rate,
hand tremor,
increased diuresis,
skin flushing,
flu-like symptoms,
nausea/vomiting,
constipation,
muscle stiffness,
joint pains, and
abdominal pain.
Sources: 1 2 3 4 5 6 7 8 9 10 ⚜ More: Notes ⚜ Writing Resources PDFs
Hi, it's alright. This is an interesting topic and quite important to portray in literature and other media. The symptoms depend on which substance/s your character has been using, but each person may also have different withdrawal symptoms. You can find more details in the sources. Hope this helps with your writing!
You have had an absolutely terrible life and decided to go to the fae realm and start screaming your name, hoping to be forgotten or erased. But instead, the king and queen of the fae have gained an odd interest in your existence.
Summary: Bruce had another kid in Arkham asylum that nobody knows about.
Warnings: Murder, Suicide, Arkham asylum, Reader can see the dead, Bruce being a bad father, mentions someone who can "hear God".
Part Two
~☆~
Nineteen.
Nineteen miserable years that you have been alive. Five of which you have spent in the hell hole, that is Arkham Asylum. Thrown in here with the approval of the man known as your father. The man Gotham city praises. The man who does nothing but help those around him, even going as far as adopting a group of orphans. Bruce Wayne.
You had always had an "overreactive" imagination as the people around you called it. When you were around twelve, you started having "outbursts", claiming things that weren't there actually existed, things that happened actually were caused by another being, one that only you can see.
So when your mother was unexpectedly murdered, and Batman walked onto the scene, you told him you weren't even home. But the journals your mother kept that had scribbles all about your claims made them believe it was you who killed her, only, you were believing a delusion, so you didn't remember. Of course you remember, you were out running the streets to get yourself just a scrap of food from wherever you could get it from.
The city wanted a DNA test before they threw you in Arkham, trying their best to put a face to the empty signature on your birth certificate. You could always tell your mother knew who your father was. Her dismissive attitude that presented whenever you would ask gave it away.
When the test came back and told you that you were the Prince of the city's kid, you told yourself that he's unreliable and not to be trusted. Your mother had to have a reason not to tell the man that she was carrying his child. She wouldn't have raised you in your shitty one bedroom apartment for nothing. Maybe she did tell him, and he just told her to get lost?
You just know that as he watched you get dragged away and thrown in one of the most vile places, you had decided that he was the worst thing you would ever see.
He never one visited or called. Even when the DNA came back and he was allowed a short meeting with you, he denied wanting to see you. A far different man than his TV persona.
×
"This piece goes over there.." A female voice spoke from over your shoulder.
"Thank you, Alice."
"Mhm"
Alice was a nice girl. She had shaved off brunette hair and a pair of strikingly blue eyes. There were marks that stuck to the temples of her head from years of electro-therapy. She had been a patient at Arkham years before you were thrown in. She had even died there. She had whispered a story about her time awaiting her death through her electro-therapy...it was almost the same as the electric chair.
"And this one goes here." A young male who sat in front of you pointed at the puzzle you were putting together.
Mathew. He, too, had dark brown hair and matching blue eyes with Alice. Siblings that came from the same rotten seed. He had killed himself in Arkham after he found out about Alice's death.
Nothing was really wrong with them, they had been transmitted to Arkham at a bad time in the world. The both of them were just severely traumatized and scared.
Far different than Ruby, who claims God was talking to her, but his whispers stopped when she strangled herself.
"They have brownies in the canteen today." Mathew whispered, watching you with his usually wide eyes. The brownies happened to be the only good thing in this entire facility.
"Finally, I've been waiting all week." You mumbled, looking down at the table in front of you.
"Y/N." The familiar voice of Dr. Conley spoke. "It's time."
Wordlessly, you abandoned your puzzle and left your room, following her all the way to the bare office that they would bring the catatonic patients. Your breakdown last week had landed you to not be able to leave the main building.
"Please sit." She instructed you. You did as told and reached for the sickeningly white chair that waited for you.
You watched as she took in a sigh and looked around the room. "I thought you were getting better-"
"There is nothing to recover from." You interrupted her, growing defensive. "I'll name off a patient who died here, and you can go see if you can find their papers!"
You know you should've given up explaining by now. None of them would ever believe you. "Y/N, you know that's not possible-"
"But fucking aliens are!?" Your breathing became heavy as you looked at her.
"Look, Y/N-"
"I want to go back to my room." You mumbled, interrupting her for the third time.
You could hear her sigh yet again before she tried to speak, but you only banged on the table in front of you. "I WANT TO GO BACK TO MY ROOM!"
×
Dick had been searching through Bruce's at home office for the past few hours. Looking for his adoption papers because of some stupid shit at work. With a sigh, he closed the filing cabinet he was looking in and went to go find Alfred instead.
As he approached the dining room (where he expected the older man to be), he not only found Alfred, but a giant box filled with papers as well.
"I believe you were looking for this." Alfred stated as he turned to look at Dick. "Master Bruce keeps all of your legal documents in a safer place." Of course, he was talking about the other adoptees and blood child that lived in the Manor some point in their life.
"Yeah, thanks, Alf." Dick smiled as he started sorting through the papers. The older man only nodded his head and walked off.
Alright here we go..Jason, Tim, Damian, Jason again, More stuff for Tim, a copy of his own birth certificate, Y/N L/N, Jason- Hold on..Y/N L/N?
×
Dick had loudly entered the batcave, making a b-line straight for Bruce.
"Who is Y/N?!"
"Wha-"
"Who the fuck is Y/N, Bruce?!"
Bruce let out a sigh as he stepped away from Dick, watching as his son waved a handful of papers in his face.
"Father, what is he talking about?" Damian (who just happened to be in the cave) asked.
"He has another kid- one that he's kept secret!" Dick yelled, looking over at his younger brother. He knows it's not really any of his business, but he can't help but feel angry over how you might have not even existed in Bruce's eyes. "Another ACTUAL kid of yours!" He put emphasis on the 'actual' trying to hint to you being another blood child like Damian.
"Go get ready. I'm calling Tim and Jason." He told Damian, already grabbing his phone from his pocket. Damian hesitantly got out of his seat and did what Dick asked.
"Dick, you don't have to make this serious." Bruce slackly tried to grab for the phone.
"Don't make it serious?!" Dick yelled, shocked at Bruce's words. "They're your kid?!"
"They're a murderer!"
Dick let an ebrupt laugh fall from his lips, slowly lowering the phone from his ear. "Jason's a murderer."
"B-but-"
"Damian's a murderer, Tim's a murderer, I'm a murderer!" He yelled out the last part.
The two of them continued to stare at each other for a few seconds before Dick brought his phone back up to his ear. "Yeah, Tim, I'm here."
~☆~
Hehehhe, just something I came up with. I'm going to post another ArkhamPatientBatkid!Reader later. It's gonna have a different plot and stuff, but it's just stuck in my head.
Take your story from a vague book idea to an impactful first draft.
A great story is built on a great premise.
This exercise is meant to help you develop a strong foundation for your story.
This story follows [name + brief character bio]. Their life changes/story begins when [inciting incident]. This causes [problem]. They wish to [goal] but are held back by [antagonistic forces].
CHARACTER "This story follows [name + brief character bio]"
Brief description of character (occupation, skills, lifestyle, etc.):
Emotional trait or problem:
PLOT "When [inciting incident], this causes [problem]"
Inciting incident:
Problem:
GOAL "They wish to [goal]"
Goal:
ANTAGONIST "Held back by [antagonistic forces]"
Internal antagonist:
External antagonist:
After writing the premise of your story, it’s time to focus on your protagonist.
This exercise will help you sketch out the fundamentals of your main character.
Five (possibly) positive qualities:
Five (possibly) negative qualities:
Personality type:
Aspirations and goals:
Belief system (written as ‘I believe…’ statements):
Significant life events & backstory:
Skills:
Appearance:
Mannerisms, body language, speaking style:
What is their character arc in the story? How do they change and grow?
Behind every strong protagonist is a strong supporting cast. This exercise will help you flesh out the key relationships in your protagonist’s life.
What important relationships were a part of the protagonist's past?
Who were they?
Their influences on the protagonist?
What happened to the relationship/s?
What important relationships are a part of the protagonist's life now?
Who were they?
Their influences on the protagonist?
What will happen to the relationship/s?
Select at least one and at most 3 important relationships to focus on developing. What are their progressions?
Relationship #1:
Relationship #2:
Relationship #3:
An impactful setting should put pressure on the character to grow. This exercise will help you identify how your setting can accomplish this.
Where and when is the story set?
What other settings will we visit in the story? List them here.
What does the main setting look like?
What is the climate and weather like?
Imagery associated with the setting?
What are the people like?
What does a day-to-day for this place look like? Describe it in a few sentences.
What challenges does this setting present? What opportunities?
How long has the protagonist been here? How do they feel about it?
This exercise helps you define your plot using the popular 3-act structure method.
Identify the 5 key points on the timeline:
Inciting incident:
Plot point #1:
Midpoint:
Plot point #2:
Climax:
If a book’s structure is its walls, its voice and style is the interior design that makes the book truly unique. This is an exercise to help you nail down how this particular book will be told.
DEVELOPING THE BOOK’S FORM
POV:
Tense:
Narrator:
Voice and tone:
Emotional core:
What are the primary emotions in this piece?
Atmosphere and mood?
DEVELOPING YOUR VOICE
Identify 3 books whose style or voice is similar to what you want:
Read a few pages from each and describe what they do specifically:
Write a scene from your character’s voice. How close is it to hitting the mark? What do you wish it did differently?
This exercise will help you determine the logistics of your writing process, so that you can finish your first draft.
What’s your project timeline?
Set a deadline for finishing your first draft.
To complete your book, how many words do you need to write per:
Week:
Month:
Source ⚜ More: Writing Worksheets & Templates ⚜ 100 Sensory Words Plot ⚜ Character ⚜ Worldbuilding ⚜ 170 Quirks ⚜ 600+ Personality Traits
"Published (number of works on ao3) written works spanning (lowest word count) to (highest word count) to a nonprofit international digital archive dedicated to preserving and maintaining society's reactions, impressions, and culture regarding various forms of fictional media."
You can also simplify it to "Creative Writer - Archive (dates) and then put "Wrote for a nonprofit digital archive as a volunteer."
Plus, if you have a lot of hits or kudos on your works, you can say, "I reached (number of hits) people and (number of kudos) of those people signified to the Archive that my work resonated with them."
Because, technically, we are all volunteering our time and donating our writing to AO3's cause of preserving the fandoms and the culture around them. And people do sometimes just call it "Archive". So nothing I just said was a lie.
If you're writing on Ao3, then you have experience writing -- which is the skill you're presenting here. In the long run, you're not doing anything wrong by phrasing your experience in impressive ways.
SOCIOPATHY [DISORDER]
/ˈsoʊ.ʃi.əˌpæθi/
Antisocial personality disorder, sometimes called sociopathy, is a mental health condition in which a person consistently shows no regard for right and wrong and ignores the rights and feelings of others.
pairing: gn!unsub!reader and spencer reid
genre: mystery, crime drama
total wc: 27.2k
main masterlist!! ⋆。°✩ bloodied roses event!!
The replication of a disturbing 2004 serial murder case calls for the BAU to get involved with the assistance of none other than the original killer themself. And whilst Spencer didn't work the original case, he was eager to learn every detail about it, including its offender.
part one. | 4.5k
WARNINGS: made up murder case, graphic depictions of violence, implied suicide (actually murder), mentions of spencer's addiction, sociopathic reader
part two. | 14.4k
WARNINGS: relationship between spencer and reader is not inherently romantic, sociopathic reader, graphic details of murder, graphic eye descriptions, mentions of spencer's addiction and overdose, morgan and reader really don't like each other, child abuse, childhood addiction, death by overdose, suicide
the first visit. | 2.2k
a successful appeal. | 1.0k
the phone calls. | 0.9k
spencer gets caught. | 1.0k
authorised visitation. | 1.1k
what if you escaped? | 0.9k
the guards’ heavy hands. | 1.3k
tbc…
I’m having a Destiel renaissance & not only do I love your AU—I am loving the moments in S5. Something something some reference to Dean’s “the last time someone looked at me like that, I got laid”…like S16 Cas says it to pre-S6 Dean? IDK I just love them & your work.
He does this several more times
Part 9 of "Back the Future" AU
Castiel would frequently throw Dean lines Dean used on him in the past
A little bit of payback, a little bit of a tease, and a whole lot of fun flustering
Part1 || Part2 || Part3 || Part4 || Part5 || Part6 || Part7 || Part8 || Part9
---
Early access Part 9 Bonus panels on my Kofi!
You’re the half-dragon child of a king and a dragon mother who gave up everything to marry him. When you hit puberty, dragon features start to emerge, and now your father spends his days fending off knights determined to 'slay the dragon.
will update this every few weeks/months. alternatively, here are all my tagged Writing Worksheets & Templates
Chapter Outline ⚜ Character- or Plot-Driven Story
Death & Sacrifice ⚜ Magic & Rituals ⚜ Plot-Planning
Editing: Sentence Check ⚜ Writing Your Novel: 20 Questions
Tension ⚜ Thought Distortions ⚜ What's at Stake
50 Questions ⚜ Backstory ⚜ Character Creation
Antagonist; Villain; Fighting ⚜ Protagonist & Antagonist
Character: Change; Adding Action; Conflict
Character: Creator; Name; Quirks; Flaws; Motivation
Character Profile (by Rick Riordan) ⚜ Character Sheet Template
Character Sketch & Bible ⚜ Interview your Character
Story-Worthy Hero ⚜ "Well-Rounded" Character Worksheet
20 Questions ⚜ Decisions & Categories ⚜ Worksheet
Setting ⚜ Dystopian World ⚜ Magic System (AALC Method)
Templates: Geography; World History; City; Fictional Plant
References: Worldbuilding ⚜ Plot ⚜ Character ⚜ Writing Resources PDFs
all posts are queued. send questions/requests here.
E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;
Hiveword - Helps to research any topic to write about (has other resources, too);
BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;
Charlotte Dillon - Research links;
Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;
One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;
One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!
Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;
National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;
Penguin Random House - Has some writing contests and great opportunities;
Crime Reads - Get inspired before writing a crime scene;
The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;
Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;
QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);
Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;
Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;
I hope this is helpful for you!
(Also, check my gumroad store if you want to!)
The princess has been rescued, hooray! But to her dismay the hero isn't young and handsome, instead he's a middle aged divorcee who took the job to pay alimony and child support.
Alchemy ⚜ Antidote to Anxiety ⚜ Attachment ⚜ Autopsy
Art: Elements ⚜ Principles ⚜ Photographs ⚜ Watercolour
Bruises ⚜ Caffeine ⚜ Color Blindness ⚜ Cruise Ships
Children ⚜ Children's Dialogue ⚜ Childhood Bilingualism
Dangerousness ⚜ Drowning ⚜ Dystopia ⚜ Dystopian World
Culture ⚜ Culture Shock ⚜ Ethnocentrism & Cultural Relativism
Emotions: Anger ⚜ Fear ⚜ Happiness ⚜ Sadness
Emotional Intelligence ⚜ Genius (Giftedness) ⚜ Quirks
Facial Expressions ⚜ Laughter & Humour ⚜ Swearing & Taboo
Fantasy Creatures ⚜ Fantasy World Building
Generations ⚜ Literary & Character Tropes
Fight Scenes ⚜ Kill Adverbs
Food: Cooking Basics ⚜ Herbs & Spices ⚜ Sauces ⚜ Wine-tasting ⚜ Aphrodisiacs ⚜ List of Aphrodisiacs ⚜ Food History ⚜ Cocktails ⚜ Literary & Hollywood Cocktails ⚜ Liqueurs
Genre: Crime ⚜ Horror ⚜ Fantasy ⚜ Speculative Biology
Hate ⚜ Love ⚜ Kinds of Love ⚜ The Physiology of Love
How to Write: Food ⚜ Colours ⚜ Drunkenness
Jargon ⚜ Logical Fallacies ⚜ Memory ⚜ Memoir
Magic: Magic System ⚜ 10 Uncommon ⚜ How to Choose
Moon: Part 1 2 ⚜ Related Words
Mystical Items & Objects ⚜ Talisman ⚜ Relics ⚜ Poison
Pain ⚜ Pain & Violence ⚜ Poison Ivy & Poison Oak
Realistic Injuries 1 2 ⚜ Rejection ⚜ Structural Issues ⚜ Villains
Symbolism: Colors ⚜ Food ⚜ Numbers ⚜ Storms
Thinking ⚜ Thinking Styles ⚜ Thought Distortions
Terms of Endearment ⚜ Ways of Saying "No" ⚜ Yoga
Compilations: Plot ⚜ Character ⚜ Worldbuilding ⚜ For Poets ⚜ Tips & Advice
all posts are queued. will update this every few weeks/months. send questions or requests here ⚜ Writing Resources PDFs
Edit: Some posts may be deleted
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Writing Grumpy x Sunshine Tropes
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Connected vs. Stand-Alone Series
A & B Stories
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Losing Passion/Burnout
Overcoming Writer's Block
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
1000 Follower Post
2000 Follower Poll
Writing Fantasy
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
This was never meant to be your purpose, you were just a single intelligence core meant to man a singular flak cannon, but the other cores were destroyed so now you're piloting the ship.
When the villain demanded that you submit or be destroyed you just apathetically shrugged and braced yourself for death. You were surprised when the villain did not kill you and instead offered you a nice, comfortable room and an appointment with their personal therapist.
Avenger! Bucky Barnes x Winter Soldier! Fem! Reader
Summary: While on a mission to find any more possible super soldiers that were a part of the Winter Soldier program, Steve and Bucky make a discovery in an abandoned HYDRA base that was cleared out a few years prior to their mission. They discover the Reader, a long-forgotten soldier that was still asleep within a functioning cryostasis pod; still awaiting orders. While Bucky isn't happy about it, he is put up to the challenge of helping to rehabilitate the soldier in Wakanda where she may be able to become a person again.
-
A/n: The first chapter was a bit short cause it was a test-run honestly, but I am planning on doing an outline for this story as well. I'm definitely neglecting my previous wips, but i don't have a lot of motivation for them right now. Hopefully, however, I will get to them soon!
This is an au where Bucky joined the avengers but still rehabilitated in Wakanda (sometime before Infinity War [canon divergent cause NOPE]). I am NOT fluent in Russian, so I did use google translate cause I couldn't find a good translator that I trusted. If anything is wrong, PLEASE let me know!! Also, I tried to list as many warnings as possible so you know what the story will contain as chapters are posted. Stay safe!
The characters may be ooc, but I did do my best. Please let me know how I did!
-
Genre: Slowburn, Enemies to Lovers/Friends to Lovers, Angst, Hurt/Comfort, Fluff, Humor, Drama, Dark Content Rated: Explicit Warning: Angst, Dark Content: Graphic Depictions of Sexual Assault, Blood and Gore, Mentions of Manipulation, Kidnapping, Canon-Typical Violence, Body Horror, Nonconsensual Body Modification/Scarring, Emotional and Physical Abuse, Mentions of Murder, Mentions of Suicidal Thoughts/Ideation, Graphic Depictions of Human Remains, Mentions of Sexual Coercion/Manipulation, Death, Misuse of Drugs/Forced Drugging, Self-Harm (Graphic Depictions and Mentions), Nightmares
-
Author: ScariusAquarius
-
chapter 1.
The ride to Wakanda had been slow and uneventful and tense so far. While Steve had attempted to read the black book that had been beside the soldier's cryostasis pod, his attempts proved unsuccessful.
The whole book was written in Russian, which Steve wasn't versed in at all. So, it had been up to Bucky to look through the book despite his apprehension.
Just like with the red book that came with him, the book within his hands doubled as an instruction manual as well as a history of the soldier that was still sitting rigid behind him; unblinking and unmoving. The book didn't give her a name, which frustrated both Bucky and Steve, but wasn't surprising at all.
HYDRA didn't care for who the person was before they became a tool. All that mattered was who you were to them in the moment, what you could offer, what you did, and if you were valuable enough to keep under their watchful eyes.
To them, the woman was Winter Soldier #08, Subject #2018, which was a peculiar number that stood out to Bucky. Her activation words were different than his as well, as was expected, and he frowned at the words that seemed to take root within his mind and piqued his interest at what the possible connections between them and the soldier were.
Holiday. Cross. Shatter. Stimulation. Integrity. Sport. Axis. Assumption. North. Aurora Borealis.
They were so seemingly random that Bucky's mind was starting to hurt trying to tie together some type of story. While his activation words had an inkling of a connection to his life, these seemed almost benign.
Within the activation section, there were a couple of hastily-scribbled notes that detailed about the soldier's history of resistance and the methods that worked best for such occasions, preferred mission-types, experimentation documentation, and some key accounts of the soldier's missions that were note-worthy to HYDRA.
There was one note that stood out to Bucky, however, that had him on the edge of his seat and growing further uncomfortable as he read.
'NOTE: WS #08 is known to be hostile even after activation. Be prepared to meet resistance with severe punishment (Flagellation, Cattle Prod, and High Frequencies favored). Further reprogramming required to fix flaws.'
It wasn't too entirely unknown for a subject to be resistant. Bucky could recall times where he had resisted in moments where he remembered bits and pieces of his life before HYDRA stripped him of his humanity.
Despite what he had told his therapist and Steve, he still had nightmares about the punishments he received while he was the Winter Soldier.
No amount of time within the Mind Chair could ever erase the recollection of the sick things HYDRA did to him to make him listen and be obedient.
Bucky could still feel the hands on him in the moments his mind forced him to remember: the painful intrusions, the feeling of a whip against his back, fingers digging into his scalp and yanking his hair, voices yelling profanities and insults and sexual degradations as he was beaten, tortured, assaulted; whatever HYDRA wanted in those moments.
Taking a shaky breath, Bucky closed his eyes for a moment before Steve's voice had the arms on his hairs standing; forcing Bucky to jump out of his mind and back into the present as the Captain addressed him.
"Shouldn't be too long now before we arrive. Any luck on our guest?"
Bucky shook his head, murmuring softly as he glanced down at the book again.
"So far, nothing. There's a couple notes that say she's hostile before and after activation and some methods that prove successful in making her obedient, but that's mainly it. She's been involved in a lot of assassinations, espionage, a couple data breaches: the whole nine yards."
Steve pursed his lips, shaking his head as he sat back in his chair, staring down at the ground as he became lost in thought.
"If she's a highly-valued asset, then why did they leave her in the facility? Seems like she was pretty high on the ladder just to be left where she was."
Bucky and Steve slowly shared a look with each other before alarm bells began to go off in Bucky's head, and he spun around in time to catch the Soldier's wrist, a large knife within her hands. Steve looked shocked, grunting as he jumped back, and Bucky gripped their wrist hard.
The soldier glared at him before bringing her knee up, slamming into his stomach and forcing him to fall back into the control panel of the quinjet. Steve jumped into action then, calling desperately as he dodged a kick to the face.
"Please, we don't wish to hurt you-"
"-but we will if we have to."
Bucky seethed, Steve giving him an exasperated look. The woman didn't hesitate, throwing the knife at Steve as hard as they could. Steve ducked, his blue eyes widened as the knife embedded into the glass of the windshield; cracks webbing throughout the ruined blade.
During this moment, the Soldier turned her attention back to Bucky as he charged, throwing punches that she expertly dodged and ducked from, her fists punching hard into his ribs and face as he missed. The hits hurt like hell, his face contorting into pain before he swung with his left arm, hitting her in the side and throwing her into the wall.
The woman let out a grunt as she smacked into the side of the quinjet, and Bucky cursed loudly when she grabbed the strap of a supply crate and hurled it at him. As he flew back into the seat, Steve came rushing at her, throwing his shield and hitting her in the side of her knee once it ricocheted off of the wall.
The soldier yelled out in pain, crumpling slightly, and Steve immediately tackled her to the ground. The two of them smacked hard onto the metal flooring, and she punched Steve as hard as she could, the man letting out a hiss as pain bloomed within his cheek.
In that split second, she bucked her hips, her legs coming up to wrap around Steve's neck and forcefully slammed him onto the ground, his head smacking against the edge of a seat and disorienting him. The soldier was quick to scramble to her feet despite her wounded knee, and Bucky met her with a punch to her gut, making her double over and audibly retch.
He then grabbed her by the back of her neck, swinging her back and then forward into a seat a couple of times, her mask breaking off in the process, and she jumped up, using the wall for leverage as she swung herself onto Bucky's back, wrapping her arm around his neck to begin choking him.
Bucky grit his teeth, snarling as he reached behind him with his left arm, curling his metal fingers around her broken knee and squeezing as hard as he could.
Throughout her cries of pain, he could hear the sickly sound of bones shattering; could feel the way her skin and bones crushed beneath his grip, and Bucky was able to breathe again as her grip became loose.
He swung himself backwards into a wall, smacking her against it over and over until she finally let go of him, falling down onto the floor. Grabbing her wrists, Bucky called over his shoulder as he restrained her.
"You alright, Steve?"
"I'm just peachy."
He dropped down next to Bucky, wrapping electromagnetic cuffs onto her wrists before forcing her up and into a seat. The soldier's head was bowed, the cuffs smacking into the wall and jerking her body slightly, and Steve made sure to secure her legs as well.
Once she was properly restrained, Steve glanced at Bucky, noting the anger that was on his face; his jaw clenched and blood running down his temple. He was panting, his whole entire body tensed, and Steve took a few deep breaths as well before he turned back to the soldier.
"Seems like your bad feeling turned out to be right."
"We never should have done this."
Bucky's words were harsh, his blue eyes glaring at Steve as the man hissed out.
"I told you that there was going to be a problem, and there was. There's no hope for these people. They are programmed to kill and serve HYDRA and that is it."
"Even if there is no hope, we still need to try. We saved you, and we can save others."
Bucky sighed, shaking his head. There wasn't really any use in trying to fight Steve on this. Bucky understood that Steve came from a good place and had good intentions, but Bucky couldn't keep the anxiety and fear from filling him.
What if something happened? What if HYDRA had found him again and this was their plan all along? Bucky turned back to the woman as her head lifted, and both of the men seemed surprised at being able to see her face clearly.
There were horrific scars on the bottom half of her face that had been concealed by the mask; some of them raised and seemingly new while others were faded and old. Her bottom lip was cut, blood trickling down her chin, and her nose seemed to be broken as well.
Her (e/c) eyes were glaring at the two of them, a cut above her brow from Bucky slamming her into the wall, and Bucky looked taken back. Steve walked forward slightly, frowning.
"What is your mission?"
Her eyes flicked to Steve, her lips pursed, and she simply hissed out as menacingly as she could.
"Heil Hydra."
She sat back, and Bucky hissed out, a fire raging within his eyes as he snarled.
"Ответь на вопрос, солдат. Какова ваша миссия?"
There was no response. Instead, the soldier seemed to begin staring in front of them; becoming vacant and frozen again. Bucky huffed in frustration before he turned to Steve, shaking his head.
"If you still want to go through with this, you need to let Shuri and T'Challa know that she's hostile and active."
"I'll let them know. We're only a few minutes out."
Bucky nodded before he sat opposite of the soldier, muttering.
"I'll keep an eye on her."
Steve gave Bucky a weary look, an expression of apprehension and concern on his face, and he wiped away some blood that had trickled out of his nose.
"Alright. Are you okay?"
"Peachy."
Steve pursed his lips slightly before he walked to the front of the quinjet, immediately opening a communications line with T'Challa, and Bucky stared right at the soldier.
Despite the fact that she was looking at him, it seemed that she was mentally somewhere else. Blood was still running down her nose and chin, dripping onto the floor, and Bucky couldn't help but to clench his jaw as the sound of the dripping ripped into his memories.
Cloth over his face, a bright light from above, boiling hot water slowly burning his skin with every drop, he couldn't breathe. he can't breathe.
Breathe. Breathe. Let me breathe. Please. Let me breathe! LET ME BREATHE!
Bucky shook his head furiously, and he only felt bitter and disgusted by the amused look that seemed to flash within the woman's eyes. Clenching his fists, the man simply huffed as he listened to Steve talk with the King, the kingdom of Wakanda coming to view.
-TIMESKIP-
"What on earth would possess you to come to the notion that bringing an active Winter Soldier into my kingdom would be a good idea?"
T'Challa was not happy. As Steve and Bucky stood in front of the king, the Dora Milaje surrounding them with a tight grip on their spears at the information Steve had given T'Challa, the king was frowning deeply while Shuri stood next to him with a curious gaze. Steve looked apologetic while Bucky kept his arms crossed, biting his cheek as Steve spoke, the king glancing at Bucky all-the-while.
"I know this isn't really conventional-"
"-it is unacceptable! What you are asking for is not negotiable!"
Okoye was understandably angry as well, her eyes wide with fury as she took a step forward, and T'Challa hummed to her gently.
"Okoye."
The woman did not relent, simply squinting her gaze as Steve bowed his head in shame. Bucky clenched his jaw slightly, and T'Challa glanced at Steve.
"Your vision is noble, and I respect what you are trying to accomplish...but you are asking me to put my people at risk. It was different for Sergeant Barnes...but this...woman...is still under the complete control of HYDRA's programming."
Steve sighed slightly before he pleaded gently.
"I can watch over her...keep her from hurting anybody if something goes wrong. Stark wasn't willing because he doesn't have the technology to reverse the programming like you do, and Wanda is currently MIA."
T'Challa laughed slightly, shaking his head.
"The world will question where Captain America has gone. You cannot ignore your duties to promise something you cannot be sure that you can keep."
Shuri then piped up, suggesting with a shrug.
"Why not have Sergeant Barnes look after her? He has the most experience, after all."
"Absolutely not."
Bucky frowned deeply, shaking his head.
"I have to agree that this is a bad idea. I know that it was different for me, Steve, but that's the issue: I knew you. I had something to cling to...a name, memories and dreams...this woman is completely unknown."
Steve was beginning to look defeated, and Shuri's voice made everyone turn to her.
"If it makes a difference: I would be interested in working on restoring the woman's previous identity, but only if Sergeant Barnes will stay to watch over the process. My brother is right: The Avengers may be a team, but they need their Captain Colonizer to help in times of need."
"Shuri."
T'Challa's voice was stern, but Shuri and Okoye shared a look of amusement with each other before she hummed at the sight of Bucky's apprehensive expression.
"Your expertise on this matter will be beneficial, Sergeant Barnes. I'm afraid that Mr. Rogers will be of no help except for physical."
T'Challa rubbed his temples slightly, and Shuri offered, glancing at the king.
"If it brings you comfort, then I shall have Okoye and select members of the Dora Milaje to accompany as well. The soldier shall be put into cryostasis at all times except for observations and testing."
Steve looked hopeful, and he pleaded softly, T'Challa staring him down with apprehension.
"You have my full cooperation that if something goes wrong, then I will answer for it. I know that what I am asking for is dangerous, but she was a person too. This woman probably had a whole life before HYDRA took it away...just like they did with Bucky and your father."
Okoye bared her teeth slightly at the mention of the late king, and T'Challa shook his head, humming.
"There is no need to appeal to my sympathy. Shuri has made up her mind, and I have learned long ago that even if I do not agree, she will do what she pleases."
Shuri smirked slightly, joking as she patted his shoulder.
"I'm so glad you understand me."
All the while, Bucky was clenching his fists, hidden beneath his crossed arms. There was no way that this was going to go well, and though there was a part of Bucky that did understand and did agree with what Steve wanted to do, there was another part that understood how incredibly risky this was.
Take it from him: this woman was dangerous, especially since she seemed to still be active on pre-existing orders. It was even riskier given the fact that nobody knew what her orders actually were. Steve glanced over at Bucky as he stared at the ground, and he placed a careful hand on his shoulder.
"Buck, I know I'm asking a lot...but she needs somebody."
"She tried to put a knife through our heads, and you're saying that we owe her?"
Steve frowned, and Bucky couldn't stand to look at him in fear of seeing the disappointment. Feeling under pressure and on-the-spot, Bucky sighed and his shoulders sagged.
"Fine, I'll stay and help, but Steve, if something happens...this one is on you."
Steve looked relieved, and he thanked him quietly, saying as Shuri grinned while Okoye and T'Challa shared a stern look together before Okoye began to whisper to T'Challa quietly.
"I know, and I'm ready to accept that responsibility should it come to that. I just...someone's gotta be looking for her, Bucky."
Bucky just shook his head, muttering.
"We don't know how long HYDRA has had her, so there might not even be anybody to miss her."
"But she deserves a chance to be her own person just like you."
Bucky shared a look with Steve, staring at him for a moment before he groaned.
"I hate it when you do that shit. I already said I would help, I'm just...there's a lot that could go wrong."
Steve countered, nodding his head slightly as he rocked slightly on his heels.
"There's a lot that could go right too."
"Yeah, say that to the killer headache you're gonna have tomorrow."
Steve chuckled slightly, joking.
"Already there, but thanks for the concern."
"Whatever."
Shuri clapped her hands together, saying.
"Well, now that we've got this settled, shall we bring our honored guest into the lab?"
T'Challa hummed, his Black Panther suit appearing as the Dora Milaje immediately stood at the ready as Shuri stood a bit behind T'Challa.
"Be cautious. We don't know know what is going to happen once those doors open."
"No need. She's been completely restrained, there's no way she's gotten out."
Sure enough, when the door to the quinjet opened, the woman was still sitting rigid; staring at the opposite wall. Steve hummed, walking up the steps, and Bucky followed reluctantly.
"Welcome to Wakanda."
Steve said before picking her up by one of her arms, Bucky grabbed a firm hold of the other with his metal arm. With her feet dragging on the ground, it was apparent that she was not going to fight back.
However, that did not stop the Dora Milaje from pointing their spears at her as Steve and Bucky took her inside. As Shuri, T'Challa, and Okoye followed, Shuri voiced to T'Challa gently.
"I will take care in monitoring her behaviors and will let you know the second that I am given any indication that rehabilitation will be unsuccessful."
T'Challa hummed, a slight frown upon his face as he stared at the woman in front of him.
"No need to worry. Should something happen, I am ready to take the necessary steps to ensure the safety of Wakanda."
-
STORY NOTES: While on the way to Wakanda, Bucky and Steve have attempted to identify the woman by reading through the book that was accompanying her cryostasis pod. However, Bucky's efforts are fruitless. Instead, Bucky discovers the activation words associated with the Winter Soldier and other important details about the history of the soldier.
Reflecting on his time as a Winter Soldier, Bucky begins to become increasingly agitated and worried about the situation. Steve makes an observation on the peculiarity of HYDRA leaving behind a highly-regarded asset when the woman begins to engage the two super soldiers in combat.
Despite Bucky and Steve sustaining significant injuries, they are eventually able to subdue the Winter Soldier by Steve breaking her kneecap with his shield and Bucky further crushing it. Although they question the winter soldier, she becomes withdrawn and silent; refusing to answer any questions.
When they arrive to Wakanda, T'Challa, Shuri, and the Dora Milaje are waiting for them. T'Challa is upset by Steve bringing the seemingly-active Winter Soldier to Wakanda, voicing his concerns on her presence while Steve pleads his case.
Shuri makes a suggestion that Bucky should stay to watch over her because Steve has prior obligations to the Avengers. Bucky adamantly refuses, but Steve manages to convince Bucky to stay in Wakanda to not only protect the people, but to be there for the woman should Shuri's methods be successful.
Shuri then suggests to bring the Winter Soldier to her lab, and the two Avengers begin to escort her inside, T'Challa and the Dora Milaje ready to engage should the Winter Soldier try to fight. Shuri reassures T'Challa that she will alert him as soon as she possibly can if something goes wrong, and T'Challa reassures Shuri that if the Winter Soldier escapes and causes harm that he is willing to kill her to ensure the safety of Wakanda. End Scene.
TRANSLATIONS:
Ответь на вопрос, солдат. Какова ваша миссия? - Answer the question, soldier. What is your mission?
TAGLIST: @vicmc624 @tilldeathripsusapart
You are a poor girl selling flowers. Today is your birthday but no one knows. When you return home you find the prince of the kingdom waiting for you with a birthday cake. "Are you sure this is the one?" He whispers to his advisor.
You’ve just been awoken from cryogenic sleep so that scientists and doctors can finally cure your fatal condition. Then you learn it’s been 57000 years since you were put in cryogenic sleep.
You are a human wizard who will only cast very specific (yet imaginative) curses. In your time you’ve had to curse a wolf-kin with dog allergies, a beholder with pinkeye, and, after a bad break up, an Amazonian with gynophobia. Now circumstances have you face an angry ancient deity.