Try To Draw The Skeleton Man.

This.

the thing, why Erik and Christine is my ship and beyond that the dynamic that fascinated me the most is because their relationship is so toxic and so beautiful and so layered. it's like...i am the angel your dead father sent you, you are my angel of music, i am your father (figure), i am your teacher, you are my teacher, you're my muse, you're my victim, i am yours, you made me experience musical ecstasy, you too, you guided me out of my grief, i am grieving because of you, you're the normalcy i long for, you bring out the side in me i didn't even know i had, i've never been so happy, i've never been so frightened, i've never been so desperate, i want to die because of you, i want you to kill us both, he's just a man, he's every shadow, she's just a woman, she saved everyone, it's just a kiss, no, it means everything!

Erik and Christine are an abuser and his victim but they were also two lonely, broken people who found solace in each other, they are also musical geniuses inspiring each other to inhuman achievements in their art, they share are bond that even they can't really understand or anyone else.

I also love the weathered frenemy relationship he has with the Daroga and Raoul is also a perfectly nice young man who, in my opinion, is the most interesting when he's at his worst (jealous) and I love that everyone has fun with their non canon ships too. But Erik and Christine's dynamic will always be like crack to me personally. They're Death and the Maiden, Hades and Persephone, Mephisto and Faust/Margarete, the Rose and the Nightingale, Beauty and the Beast, they're opposites, they can't be together, they're day and night AND YET

ah! Fate links thee to me, forever and a day...

Who. Was. The. Genius.

I just think they’re neat

Michael Kinnucan, The Gods Show Up

May your day be psychologically torturous and filled with existential dread.

You’re still the best.

I noticed this the other day and it made me sad.

At the end of All I Ask Of You, Christine says she must go and is about to leave when Raoul sings "Christine, I love you" and she turns back and goes to him, they end up leaving the scene together all happy and in love.

Phantom tried to do that at the end of Final Lair, his "Christine, I love you" is an attempt at making Christine stay the same way he saw Raoul do in the rooftop :(

Why. Just, why. This is a beautiful horror tragedy following a murderer skeleton who sleeps in a coffin and writes his musical scores in blood—a story of obsession and sorrow—NOT a story for YA adaptation. That’d be like turning Dracula into a YA story—oh, wait, they did, it’s called Twilight.

I hate this world.

You know when I said I wanted more original Phantom of the Opera adaptations, having the director of High School Musical making a YA version for Disney + really isn't what I had in mind

“Perhaps, after all, romance did not come into one’s life with pomp and blare, like a gay knight riding down; perhaps it crept to one’s side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music; perhaps … perhaps … love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.”

— L. M. Montgomery ~ Anne of Avonlea (via missemilymorland)

The original problematic fave: Erik, ze phantom of ze opera

I'm in the torture chamber