atomicgaycat - Atlas, Candi, Rex, and Percy!
Atlas, Candi, Rex, and Percy!

Hiya! I’m Atlas, I’m the host! Hopefully my alters will act nicely on Tumblr. :P Hiii!! I’m Candi, I’m a Child alter (or Atlas says dat, I don’t understand it :< ) I LOVE CANDYYY!! I’m Rex. I’m the persecutor. Or that’s what Atlas calls me, but I kinda think he’s just stupid. I’m Percy! I’m probably the most normal out of the shitshow we run!

33 posts

Latest Posts by atomicgaycat - Page 2

3 weeks ago

🧪 Character Arcs 101: what they are, what they aren’t, and how to make them hurt

by rin t. (resident chaos scribe of thewriteadviceforwriters)

Okay so here’s the thing. You can give me all the pretty pinterest moodboards and soft trauma playlists in the world, but if your character doesn’t change, I will send them back to the factory.

Let’s talk about character arcs. Not vibes. Not tragic backstory flavoring. Actual. Arcs. (It hurts but we’ll get through it together.)

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💡 what a character arc IS:

a transformational journey (keyword: transformation)

the internal response to external pressure (aka plot consequences)

a shift in worldview, behavior, belief, self-concept

the emotional architecture of your story

the reason we care

💥 what a character arc is NOT:

a sad monologue halfway through act 2

a single cool scene where they yell or cry

a moral they magically learn by the end

a “development” label slapped on a flatline

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✨ THE 3 BASIC FLAVORS OF ARC (and how to emotionally damage your characters accordingly):

Positive Arc They start with a flaw, false belief, or fear that limits them. Through the events of the story (and many Ls), they confront that internal lie, grow, and emerge changed. Hurt factor: Drag them through the mud. Make them fight to believe in themselves. Break their trust, make them doubt. Let them earn their ending.

Negative Arc They begin whole(ish) and devolve. They fail to overcome their flaw or false belief. This arc ends in ruin, corruption, or defeat. Hurt factor: Let them almost have a chance. Build hope. Then show how they sabotage it, or how the world takes it anyway. Twist the knife.

Flat/Static Arc They don’t change, but the world around them does. They hold onto a core truth, and it’s their constancy that drives change in others. Think: mentor, revolutionary, or truth-teller type. Hurt factor: Make the world push back. Make their values cost them something. The tension comes from holding steady in chaos.

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🎯 how to build an arc that actually HITS (no ✨soft lessons✨, just internal structure):

Lie they believe: What false thing do they think about themselves or the world? (“I’m unlovable.” “Power = safety.” “I’m only valuable if I’m useful.”)

Want vs. need: What do they think they want? What do they actually need to grow?

Wound/backstory scar: What made them like this? You don’t need a tragic past™ but you do need cause and effect.

Turning point: What moment forces them to question their worldview? What event cracks the surface?

Moment of choice: Do they change? Or not? What decision seals their arc?

🧪 Pro tip: this is not a worksheet. This is scaffolding. The arc lives in the story, not just your doc notes. The lie isn’t revealed in a monologue, it’s felt through consequences, relationships, mistakes.

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🛠️ things to actually do with this:

Write scenes where the character’s flaw messes things up. Like, they lose something. A person. A plan. Their cool. Make the flaw hurt.

Track their beliefs like a timeline. How do they start? What chips away at it? When does the shift stick?

Use relationships as arc mirrors. Who challenges them? Enables them? Forces reflection? Internal change is almost never solo.

Revisit the lie. Circle back to it at least three times in escalating intensity. Reminder > confrontation > transformation.

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🌊 bonus pain level: REVERSE THE ARC

Wanna make it really hurt? Set them up for one arc, and give them the opposite. They think they’re growing into a better person. But actually, they’re losing themselves. They think they’re spiraling. But they’re really healing. Let them be surprised. Let the reader be surprised.

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TL;DR: If your plot is a skeleton, your character arc is the nervous system.

The change is the thing. Don’t just dress it up in trauma. Don’t let your character learn nothing. Make them face themselves. And yeah. Make it hurt a little. (Or a lot. I won’t stop you.)

—rin t. // thewriteadviceforwriters // plotting pain professionally since forever

P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages 👀 you can grab it here for FREE:

5 Opening Pages Mistakes to Stop Making — A Mini eBook for Fiction Writers
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✦ A free (and actually helpful) guide to leveling up your first 10 pages ✦If you're unsure whether your opening is ✨doing enough✨ to hook re
3 weeks ago

just a heads up to my fellow writers out there that AO3 is currently fighting off bots commenting on people’s works to tell them that AO3 will delete their fics “due to the works being deprecated”, and the deletion will affect their accounts unless the authors delete the fics themselves first. IT IS A SCAM. AO3 will NOT delete your works. please do NOT fall for these bots!

I’ve been told the reason why these bots are doing this is due to copyright infringement issue where they’re trying to steal your works (possibly to train AI but this is just a guess) ‼️‼️‼️and once you deleted your fics, it will be either very difficult or impossible for you to claim ownership of your own fics when they were already deleted.‼️‼️‼️

a reminder that AO3 will never contact you through your comments section (in case they claim to be one of the moderators). AO3 will only contact you through your email address which you use to register your account, and it will be from AO3’s official handle. not some sketchy ass @

so if you get a comment telling you you should “delete your works to protect your account because AO3 is doing blah blah blah” report that comment. don’t delete your works.

PLEASE DO NOT FALL FOR THESE SCAM.

AO3 IS NOT DELETING WORKS.

DO NOT DELETE YOUR WORKS JUST BECAUSE SOMEONE CLAIMS THEY KNOW SOMETHING.

3 weeks ago

i have two personalities when im writing. one is "omg this is the easiest thing in the world. i just pumped out 3k words without any trouble" and my other one is "if i write another goddamn word im gonna throw my computer out the window and jump after omg why are they still talking"

3 weeks ago

Correct :)

writing is hard when you’re emotionally attached to a character who hasn’t spoken in 30k words and might be imaginary even inside the story but you keep defending them in your notes like they’re your cousin on trial

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